戲劇與電影研究
Theater and Film Studies
| 節 | 週三 |
|---|---|
2 09:00–09:50 | 戲劇與電影研究 CSPC2 3 節連堂 |
3 10:10–11:00 | |
4 11:10–12:00 |
* 根據陽明交大上課時間表所列
了解鑑賞戲劇與電影 Understand how to appreciate theater performances and films. 可中文授課, 也可讓你不會害怕的英語授課, 亦可中英雙語教學. This course can be taught in Chinese or English or bilingual.
No
Lecture Students' taking turns in doing weekly presentation Discussion TA Prof. Tuan's teaching website Library: DVDs, Books, E-Journal Database
1. Weekly show up in class on time (10%), take notes (10%)=(Total 20%) 2. Weekly participation in class. 10% 3. Homework & Quiz 10% 4. Weekly take turns oral presentation 10% 5. Midterm Oral Presentation 10% 6. Midterm Paper 15% 7. Final Oral Presentation 10% 8. Final Paper 15%
| 週次 | 主題 |
|---|---|
| 第 1 週 | 課程介紹 Introduction |
| 第 2 週 | 第一章 電影即藝術 《辣手摧花》 Martin Rubin, "Berkeleyesque Traditions." pp. 46-58. American Musical Theater & Films: "Show Boat"(1927), "Oklahoma!"(1943), "My Fair Lady"(1956), etc. |
| 第 3 週 | 第二章 電影形式的重要性 Andre Bazin, :Theater and Cinema." pp. 110-133. Ex. Theater & Film: "Taezan." Theater:"Oedipus the King." Film: Orson Welles' films, such as "Macbeth." Films: Laurence Olivier's "Hamlet." |
| 第 4 週 | 中秋節放假 |
| 第 5 週 | 第三章 敘事是一種形式系統 《大國民》 Susan Sontag, "Film and Theatre." pp. 134-151. Ex. Theater performance: Helene Weigel's performance of "Mother Courage." Film: Peter Brook's staging of Weiss's "Marat/Sade." |
| 第 6 週 | 第四章 鏡頭: 場面調度 Sarah Bay-Cheng, "Following the Gaze: The Influence (and Problems) of Feminist Film Theory in Theater Criticism." pp. 162-171. Ex. Marlene Dietrich's legs in the film "The Blue Angel." (1930) |
| 第 7 週 | 第五章 鏡頭: 攝影 《魔戒》 Entr'acte: The Playwright as Film Critic: Bertolt Brecht. pp. 172-177. Theater & Film: "The Threepenny Opera." Cinema: British National Theatre Live. |
| 第 8 週 | 第六章 剪接: 鏡頭之間的關係 Interlude: The Screenwriter as Auteur: Ingmar Bergman. pp. 227-235. Bergman's Films. |
| 第 9 週 | Midterm Oral Presentation Submit Midterm Paper |
| 第 10 週 | 因公赴美國出差 助教放相關電影欣賞 |
| 第 11 週 | 事假 助教放課程相關電影欣賞 |
| 第 12 週 | 校外教學 |
| 第 13 週 | 校運會停課 |
| 第 14 週 | 期中考學生補報告 第七章 電影的聲音 Sergei Eisenstein, "Through Theater to Cinema." pp. 239-250. Theater & Film "Carmen." |
| 第 15 週 | Scholar's Speech |
| 第 16 週 | 第九章 電影類型 Milos Forman and Jan Novak, "Milos Forman, Peter Schaffer, and Amadeus." pp. 257-266. Theater performance: "Salieri" Film: "Azadeus" Cinema: British National Theatre Live 第十章 紀錄片、實驗電影及動畫片 "Shakespeare in the Cinema: A Film Directors' Symposium." pp. 267- 291. Theater Performances & Films: "Richard III." "Romeo and Juliet." "Twelfth Night." "Othello." "Hamlet." "Macbeth." "A Midsummer Night's Dream." "The Merchant of Venice." "King Lear." |
| 第 17 週 | 第十一章 電影評論 Julie Taymor: An Interview. pp. 292-300. Theater & Film: "The Lion King," "The Tempest." 第十二章 電影藝術與電影史 Interlude: The Actor as Director: Orson Welles. pp. 301-319. Theater & Film: "Cinderella." Broadway Musical Theater adapted from 8½. 8½, Federico Fellini. written by Kriss Ravetto-Biagioli. "Film Analysis." pp. 582-601. |
| 第 18 週 | Final Oral Presentation Submit Final Paper |
Knopf, Robert. "Theater and Film: A Comparative Anthology." USA: Yale University, 2004. 《電影藝術: 形式與風格》大衛.鮑徳威爾, 克莉絲汀.湯普遜 著. 曾偉禎 譯. US & International: McGraw Hill, 2009. 李安 推薦. 參考書: Geiger. Jeffrey & Rutsky, R. L. "Film Analysis." New York & London: W. W. Norton, 2005.
- 地點
- Hakka Building R224
- 時間
- Fri. 3:30-5:30 p.m.
- 聯絡方式
- Via email