西洋文學概論(二)

Introduction to Western Literature (2)

學期

106-2

學分

3 學分

當期課號

1577

永久課號

DFL1116

開課單位

外國語文學系

授課教師

林建國

類別

必修

上課時間表

節	週二
2 09:00–09:50	西洋文學概論(二) F326 3 節連堂
3 10:10–11:00
4 11:10–12:00

* 根據陽明交大上課時間表所列

教學方式

Course website: e-Campus (http://e3.nctu.edu.tw/, or http://dcpc.nctu.edu.tw/) Teaching assistant: TBA Personal site: http://www.fl.nctu.edu.tw/~limk/

評分方式

Grading Scale: Weekly quizzes (the average of all weekly quizzes multiplied by 6) 30 points Midterm examination 25 points Final examination 35 points Film quizzes (on 2 assigned films) 10 points 5% of extra bonus (if full attendance, with total 85 as ceiling) Total 100 points If you have a full attendance the whole semester, you will receive a 5% extra grade for your overall semester grade. For example, if your grade is 80, it will be increased to 84. If after the adjustment your grade exceeds 85, you receive 85. Weekly Quizzes: 1. The 16 weekly quizzes, starting in week 1, aim to examine if the assigned readings have been read, but not necessarily if they have been fully comprehended. 2. Each quiz has four questions and will be graded with the scale of 1 to 5. 3. Quizzes will be held as soon as the class begins. Latecomers cannot take the quiz, but must report themselves to the instructor and receive 1.0 as their quiz grade. 4. A student who is granted an official leave will receive his or her quiz grade’s semester average as the grade of the quiz he or she misses. For example, if the average of all the quizzes a student has taken is 4.65, he or she shall receive 4.65 for the missing quiz, if a leave has been granted. 5. The due credit a student shall receive for a granted leave will only be calculated and released by the end of the semester. Film Quizzes: 1. Two films are assigned and will be screened at NCTU Cinema for the Arts (Room FR326) in Weeks 7 and 16, as follows: a. Les Miserables (1998), on Monday, March 28, two screenings (3:30, 6:00 p.m.) b. Doctor Zhivago (1965), on Monday, May 30, two screenings (3:30, 6:00 p.m.) 2. The films on DVD are also available on one-day reserve at the Main Library. 3. The films will be quizzed respectively in class in Weeks 9 (midterm) and 18 (final). 4. The quizzes mean to check whether you have watched the films, not whether you remember the details in the plots. A rough knowledge about the characters’ names and their relations will help, which you could look up at the Internet Movie Database (http://www.imdb.com/). 5. No materials or notes shall be consulted during any of the quizzes.

週次計畫

週次	主題
第 1 週	MOLIERE (JEAN-BAPTISTE POQUELIN) (1622-1673) Tartuffe (1664). Pages 56-109.
第 2 週	JEAN RACINE (1639-1699) Phedre (1677). Pages 205-256.
第 3 週	VOLTAIRE (FRANCOIS-MARIE AROUET) (1694-1778) Candide, or Optimism (1759). Starting from page 424. Chapters 1, 4, 5, 6, 7, 8, 11, 15, 21, 28-30.
第 4 週	JEAN-JACQUES ROUSSEAU (1712-1778) Confessions (1781-1788). “Part 1,” pages 586-595; “Part 2,” pages 595-600. Percy Bysshe Shelley, “Ode to the West Wind,” parts IV-V. Pages 974-975.
第 5 週	JOHANN WOLFGANG VON GOETHE (1749-1832) Faust, Part I (1808). “ Prologue in Heaven,” pages 630-633. “Night” (lines 116-293, 377-464), pages 633-637, 639-641. “Faust’s Study [I]” (lines 1117-1175), pages 656-657. “Faust’s Study [II]” (lines 1310-1635), pages 660-667. “Evening” (lines 2483-2557), pages 687-689. “A Garden” (lines 2882-2934, 2975-3020), pages 697-698, 699-700. “A Summerhouse,” pages 700-701. “Gretchen’s Room” & “Marthe’s Garden,” pages 704-709. “The City Wall,” “Night,” & “The Cathedral,” pages 710-716. “An Overcast day. A Field,” “Night. Open Country,” & “A Prison,” pages 730-736.
第 6 週	ROMANTIC LYRICS Friedrich Holderlin (1770-1843), “The Half of Life,” page 917; “Brevity,” page 918; “To the Fates,” page 918. Anna Bunina (1774-1829), “Conversation between Me and the Women,” pages 959-960 [read lines 1-53]. Heinrich Heine (1797-1856), “[A Pine Is Standing Lonely],” page 990; “[A Young Man Loves a Maiden],” pages 990-991; “The Silesian Weavers,” page 991. Giacomo Leopardi (1798-1837), “The Infinite,” pages 992-993; “To Himself,” page 993. Rosalia de Castro (1837-1885), “[The Ailing Woman Felt Her Forces Ebb],” page 1080; “[I Well Know There Is Nothing],” page 1081; “[The Feet of Spring Are on the Stair],” page 1082. Jose Marti (1853-1895), “I Am an Honest Man (Guantanamera),” pages 1094-1095.
第 7 週	ALEXANDER SERGEYEVICH PUSHKIN (1799-1837) The Queen of Spades (1834), pages 739-757. Film screening 1: Les Miserables (1998), on Monday, 3/28: 3:30, 6:00 p.m.
第 8 週	FYODOR DOSTOEVSKY (1821-1881) Notes from Underground (1864), pages 1141-1214. Part I, Ch. I, V, XI. Part II, Ch. I, pp. 1165 (begin from “We Russians,...”)–1167 (stop before “Their versatility is really astounding;...”). Ch. VI. Ch. VII, pp. 1199 (begin from “I was so carried...”)–1200 (end of chapter). Ch. VIII, pp. 1202 (begin from “I was constantly...”)–1204 (stop Before “It was a good thing...”). Ch. IX, X.
第 9 週	MIDTERM EXAMINATION (Bring your student’s I.D. card.) Film Quiz 1: Les Miserables
第 11 週	GUSTAVE FLAUBERT (1821-1880) Madame Bovary (1856) Continued. Part 2, Ch. 11, pp. 1332 (begin from “In the midst of the silence”)–1333. Ch. 12, pp. 1335 (begin from “Apart from the riding whip”)–1339 (stop before “Drawn by four galloping horses...”). Ch. 13, pp. 1343 (begin from “‘Maybe she’ll think I’m...’”)– 1346 (stop before “Charles stood in the back...”). Ch. 14, pp. 1350 (begin from “Madame Bovary did not yet...”)– 1351 (stop before “At the beginning of spring...”). Ch. 15, pp. 1356 (begin from “‘But why,’ asked Bovary...”)-1360. Part 3, Ch. 5. Ch. 6, pp. 1392 (begin from “They gradually began to...”)–1394 (stop before “A metallic groan...”), pp. 1396 (begin from “To raise money,...”)–1398 (stop before “The nearby cafes were full.”). Ch. 8, pp. 1410 (begin from “He was in front of the low fire...”)– 1418 (stop before “Justin, who was carrying a pile...”). pp. 1419 (
第 12 週	SYMBOLIST and MODERNIST POETRY Charles Baudelaire (1821-1867), “To the Reader,” pages 1042-1043. “Correspondences,” page 1043. “A Carcass,” pages 1045-1046. “Song of Autumn I,” page 1047. “Spleen LXXXI,” pages 1049. “The Voyage” [read only parts I, III, IV, V, VIII], pages 1050-1054. Stephane Mallarme (1842-1898), “Saint,” pages 1088-1089. Paul Verlaine (1844-1896), “Autumn Song,” page 1091. Arthur Rimbaud (1854-1891), “The Bridges,” page 1101. “Barbarian,” page 1102. Ruben Dario (1867-1916), “To Roosevelt,” pages 1106-1107. “Fatality,” page 1109. Constantine Cavafy (1863-1933), “The City,” page 2095. “Evening,” pages 2097-2098. Rainer Maria Rilke (1875-1926), “Archaic Torso of Apollo,” page 2117. Anna Akhmatova (1889-1966), Requiem: “Prologue,” page 2151. II, V, and VI, pages 2152-2153.
第 13 週	HENRIK IBSEN (1828-1906) Hedda Gabler (1890), pages 1482-1538.
第 14 週	ANTON CHEKHOV (1860-1904) The Cherry Orchard (1904), pages 1581-1619
第 15 週	MARCEL PROUST (1871-1922) Remembrance of Things Past (1913), pages 1813-1844. Pp. 1813-1817 (stop before “Moving at the jerky pace, ...”). Pp. 1818 (begin from “After dinner, alas,”)-1821 (end of page). Pp. 1823 (begin from “One day when”)-1825 (stop before “Yet one day”). Pp. 1826 (begin from “They were more interested”)-1828 (end of page). Pp. 1830 (begin from “I did not take my eyes”)-1838 (stop before “In fact,”) Pp. 1840 (begin from “Mamma sat down by my bed”)-1844.
第 16 週	LUIGI PIRANDELLO (1867-1936) Six Characters in Search of an Author (1921), pages 1917-1957. Film screening 2: Doctor Zhivago (1965), on Monday, 5/30: 3:30, 7:00 p.m.
第 17 週	FRANZ KAFKA (1883-1924) The Metamorphosis (1915), pages 1880-1913.
第 18 週	FINAL EXAMINATION (Bring your student’s I.D. card.) Film Quiz 2: Doctor Zhivago

教科書

The Norton Anthology of Western Literature. 9th ed. Eds. Martin Puchner et al. New York and London: Norton, 2014.

Office Hours

地點: Office: F314-C
時間: Office hours: Tuesday, 10:00 AM-12:00 PM, and by appointment.
聯絡方式: limk728@g2.nctu.edu.tw Tel: 03-5731792, or campus extension 31792