全球化與華語電影
Globalization and Chinese Speaking Cinema
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 全球化與華語電影 F326 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
With an emphasis on analyzing the Chinese language films and related cultural phenomena in Taiwan, Hong Kong, China, and America, we will engage in nuanced and critical rethinking of the dialectical relationship between the global and the local in terms of the formation of gender and national identities. We will also investigate the capital flow and cultural flow in film making and marketing in the wake of globalization. Other issues to be explored include: global modernity, post-modern time-space compression, the possibilities of ethnicity or fetishism as cultural discourse, and the relationship between transnational imaginary and media spectatorship.
1. Class participation discussion 10 % 2. Five Weekly responses ( 100-200 words) to be posted on e-platform: 10% You can discuss the assigned articles, films, or introduce any paper and films related to the subject of the week. Deadline for posting weekly response: 11:59 pm, Tuesday. 3. Oral presentations: 20% Each student should conduct a 20-minute oral presentation in class related to the weekly topic. Students could demonstrate his/her comprehension and criticism of the theories of the week, or conduct review and research of the films related to the weekly topic. 4. Midterm paper: 4-6 pages (double space) 20% Each student should turn in a 4-6 page midterm paper (double space), applying at least one of the theories learned from this course for textual analysis of a novel, film, or theatrical work. 5. Final paper: 10 pages (double space) 40% Each student should turn in a 10- page final paper. The subject of the final paper is flexible and to the student’s interest. In this final paper, student is required to apply at least one theory and to cite at least 3 scholarly works based on MLA format.
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction. 莊坤良。〈迎/拒全球化〉。《中外文學》30卷4期。2001。8-25。 |
| 第 2 週 | Chang, Hsiao-hung, :The Unbearable Lightness of Globalization: On the Transnational Flight of Wuxia.” In Davis, Darrell William and Ru-shou Robert Chen Eds., Cinema Taiwan: Politics, Popularity and State of the Arts. Routledge, 2007. 96-107. Screening 李安, 《臥虎藏龍》 |
| 第 3 週 | Lu, Sheldon Hsiao-peng, “National Cinema, Cultural Critique, Transnational Capital: The Films of Zhang Yimou.” In Sheldon Hsiao-peng Lu, Ed., Transnational Chinese Cinemas: Identity, Nationhood, Gender. Honolulu: University Hawaii Press, 1997. 105-38. Screening 張藝謀, 《秋菊打官司》 |
| 第 4 週 | Stringer, Julian. 2001. "Global Cities and the Internationl Film Festival Economy." In Cinema and the City: Film and Urban Societies in a Global Context, edited by Mark Shiel and Tony Fitzmaurice, 134-44. New York: Blackwell Publisers Ltd. Screening: 侯孝賢,《珈啡時光》,《紅氣球》(請自行觀看) |
| 第 5 週 | Kaplan, E. Ann, “Reading Formation and Chen Kaige’s Farewell My Concubine.” In Transnational Chinese Cinemas. 265-76. Screening 陳凱歌, 《霸王別姬》 |
| 第 6 週 | Tomlinson, John. "Chapter 2 Global Modernity." Globalization and Culture. The University of Chicago Press, 1999. pp. 32-70. HC401 |
| 第 7 週 | Dilley, Whiney Crothers, “Globalization and Cultural Identity in Eat Drink man Woman.” The Cinema of Ang Lee: The Other Side of the Screen. London: Wallflower Press. 2007. 71-84. Screening: 李安, 《飲食男女》 HC 401 |
| 第 8 週 | Rey Chow, “Nostalgia of the New Wave: Romance, Domesticity, and the Longing for Oneness in Happy Together.” Sentimental Fabulations , Contemporary Chinese Films: Attachment in the Age of Global Visibility. New York: Columbia University Press, 2007. Screening: 王家衛, 《春光乍現》 F326 |
| 第 9 週 | Submit Midterm Paper 張靄珠, 〈失魂落魄:鍾孟宏電影孩童與邊緣人的延異記憶與邊緣回返〉。《全球化時空、身體、記憶:台灣新電影及其影響》。交通大學出版,2015。375-424. Screening: 鍾孟宏 《第四張畫》 F326 |
| 第 10 週 | Appadurai, Arjun. “Disjuncture and Difference in the Global Cultural Economy.” Modernity at Large: Cultural Dimensions of Globalization. Minnesota University Press. 27-47. HC401 |
| 第 11 週 | Bhabha, Homi K. “The World and the Home.” Social Text 31/32 10.2-3(1992): 141-153. Print. 張靄珠,〈見與不見之間:楊德昌台北都會三部曲的神話、夢話、情話〉。《全球化時空、身體、記憶:台灣新電影及其影響》。交通大學出版,2015。107-30. Screening 楊德昌, 《一一》 F326 |
| 第 12 週 | 劉紀雯教授演講: 由賈樟柯的「世界」看全球不均衡流動 The Uneven Global Flows in The World by Jia Zhang -ke Screening: 賈樟柯《世界》 HC401 |
| 第 13 週 | 張靄珠,〈海角七號的戀日與哈日〉。《全球化時空、身體、記憶:台灣新電影及其影響》。交通大學出版,2015。243-88. Screening 魏德聖, 《海角七號》 F326 |
| 第 14 週 | 張靄珠,〈蔡明亮電影的廢墟、身體、與時間影像〉。《全球化時空、身體、記憶:台灣新電影及其影響》。交通大學出版,2015。185-242。 Screening 蔡明亮, 《黑眼圈》 F326 |
| 第 15 週 | Wang, Yanjie. “Violence, Wuxia, Migrants: Jia Zhangke’s Cinematic Discontent in A Touch of Sin.” Journal of Chinese Cinema, Vol 9, Issue 2, (Mar 2015): 159-72. Screening 賈樟柯, 《天注定》 F326 |
| 第 16 週 | Screening, 馮小剛, 《大腕》 F326 |
| 第 17 週 | Conclusion |
1. Globalization and Chinese Language Cinemas Reader (to be purchased in Xerox Room, 4th Fl, Hao-ran Library) 2. 張靄珠, 《 全球化時空、身體、記憶:台灣新電影及其影響 》。交通大學出版, 2015。(to be purchased from NCTU Press)
- 地點
- HC410
- 時間
- Wed. 13:20-15:20
- 聯絡方式
- Email: ivychang.nctu@gmail.com