創作主修:電子音樂

從東西方現代電子音樂經典作品中,探究創作手法、美學、技術,激發學生想像力,創作電子音樂新作。 透過作品之實際音樂展演,掌握人機互動(HCI)新表現模式。

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參予相同藝術研討會,以及音樂作品發表等活動,並撰寫心得報告。

每週授課ㄧ次外,學期末學生必須完成作品若干。 考試部份: 將完成之作品參與本所(竹韻)之發表演出。

-相關之理論與專題論著 Morgan, Robert P., Twentieth Century Music: A History of Musical Style in Modern Europe and America .New York: W.W.Norton &Company,1991. Dodge, C. & Jerse, T. A. (1985). Computer Music: Synthese, Composition and Performance. Oxford: Schimer books. Hall, D. E. (1980). Musical Acoustics: An Introduction. Belmont, CA: Wadsworth Publishing Co.Inc.. Holmes, T. (2002). Electronic and Experimental Music:Pioneers in Technology and Composition (2nd ed.). London: Routledge. Kostka, S. (1990). Materials and Techniques of Twentieth-Century Music. NJ: Prentice Hall. Licata, T. (2002). Electroacoustic Music: Analytical Perspectives. London: Greenwood Press. Manning, P. (1985). Electronic and Computer Music. New York: Oxford University Press. Mathews, M. (1969).The Technology of Computer Music. Cambridge, MA: MIT Press. Miranda, E. R. (2001). Composing Music with Computers. London : Butterworth-Hienemann. Pellman, S. (1994). An Introduction to the Creation of Electroacoustic Music. CA: International Thomson Publishing. Roads, C. (1999), The Computer Music Tutorial (4th ed.). Massachusetts: MIT Press. Simoni, M. (2006). Analytical Methods of Electroacoustic Music. New York: Routledge. Williams, D. B. & Webster, P. R. (1999). Experience Music Technology. New York: Winkler, T. H. (1998). Composing Interactive Music : Techniques and Ideas Using Max. MA:MIT Press. Xenakis, I. (1992). Formalized Music: Thought and Mathematics in Composition. Pendragon Press.

地點

人社三館 5F Room 507

時間

Tues: 1:30-3:30pm Wed: 3:30-5:30pm Thurs: 1:30-3:30pm

聯絡方式

eamusic.tseng@msa.hinet.net ext--58404