音樂研究導論(演奏組)
Introduction to Music Research(for Performance Majors)
| 節 | 週二 |
|---|---|
2 09:00–09:50 | 音樂研究導論(演奏組) HC501 3 節連堂 |
3 10:10–11:00 | |
4 11:10–12:00 |
* 根據陽明交大上課時間表所列
This graduate course introduces research methods, as well as the strategies and the “language” of writing about music to performance majors. We start with a brief review of the basics of research venues, tools, and crucial issues in and ethics of academic writing. We continue with a series of sample writings hand in hand with these principles. We will see how the authors focus on different aspects of perspectives in their discussion of music and how they develop and sharpen their arguments. The aim of this course is to offer graduate performance majors necessary tools and directions to engage in an intelligent discussion of their repertory, skills that they may apply to their term projects, thesis writing, and lecture recitals. We will have two invited music scholars coming to discuss the ways that they phrase they theories arguments. The selected sample writings will enable us to see the variety of ways that an author may use to approach a music work. In addition to our weekly discussion, short assignments, and quiz(zes), each student will function as a discussion leader in a class session; sign-up sheet will be distributed by week 3. At the end of the term, the class will be divided into several groups. Each group will present a chosen article or book chapter, discussing how the author’s approach to music and the pros and cons of this writing relate to the principles and basics that we have discussed earlier in the semester.
Attendance & participation: 20% Quiz(zes): 30% Assignments: 25% Group presentation: 25%
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction & using the library |
| 第 2 週 | Online research tools: JSTOR, Grove Music Online, ProQuest, RILM, Naxos |
| 第 3 週 | Determining a trusted online source |
| 第 4 週 | Citation (direct & indirect quotes); definition of plagiarism |
| 第 5 週 | Compiling a bibliography |
| 第 6 週 | Summary & abstract; position(s) of emphasis |
| 第 7 週 | Quiz #1 & The language of music |
| 第 8 週 | Ethnographical essay |
| 第 9 週 | Historical essay |
| 第 10 週 | Analytical essay |
| 第 11 週 | Group presentations |
| 第 12 週 | Program notes |
| 第 13 週 | Biographical account of a composer |
| 第 14 週 | Group presentations |
| 第 15 週 | Quiz #2 & pre-concert lecture |
| 第 16 週 | Group presentations |
| 第 17 週 | Group presentations |
| 第 18 週 | Conclusion |
The textbook, which you will bring to each class meeting, is Joseph Gibaldi’s MLA Handbook for Writers of Research Papers; a Chinese translation is available, should you wish to use it instead of the original. Gibaldi, Joseph. MLA Handbook for Writers of Research Papers. New York: Modern Language Association of America, 2009. Chinese translation: Gibaldi, Joseph. 《MLA論文寫作手冊》,紐約:美國現代語言學會,2009。(第七版) Other reading assignments and assignment instructions are posted on the course website.
- 地點
- HC511
- 時間
- Wednesday, 3:30-5:30 pm or by appointment
- 聯絡方式
- blblume@nctu.edu.tw), ext. 58316