校際選修

115-1 選課時程

進行中

  • 初選第一階段 6/15/2026
  • 初選第二階段 6/22/2026
  • 校際選修 8/24/2026
  • 初選第三階段 8/31/2026
  • 開學後加退選 9/7/2026
  • 逾期加退選 9/21/2026
選課資源

十八世紀歐洲音樂美學選讀

Source Readings in 18th-Century European Music Aesthetics

學期
108-1
學分
2 學分
當期課號
5801
永久課號
IMU5397
開課單位
音樂研究所
授課教師
金立群
校區
光復
類別
選修
上課時間表
週三
8
16:30–17:20
十八世紀歐洲音樂美學選讀
HC513
2 節連堂
9
17:30–18:20

* 根據陽明交大上課時間表所列

概述

Our current understanding of what music is and its significance is still very much affected by the rise of aesthetics and the musical art since the 18th-century Europe. Issues such as subjectivity, language, judgment, imagination, romanticism are all connected with music, with contributions from the English empiricist, the French Encyclopédistes, Rousseau, Kant, and Herder et al. This course opts for a historical rather than normative approach and engages contemporary documents to make sense of the legacy of European music in today's global context. Designed for musicology majors and other students who are interested in independent study; participants will learn to read historical sources and current literature sensitively and critically, and gain experience in academic writing.

先修科目

This is a course designed for master students majoring in music, an advanced understanding in the history of 18th-century European music therefore is expected.

教學方式

Course will be conducted mostly in 3-hour sessions: please take note of the schedule. Course home page at: https://e3new.nctu.edu.tw/.

評分方式

Participation 10%: everyone should read everything (so start early!) and contribute to the discussion. Weekly Reading Notes 30%: 8*300 words. Presentations 20%: 2*15 min. The presentations should take the form of Context-Content-Critique, followed by open discussion. Papers 40%: 2*1,500 words. Revised versions of the two oral presentations.

週次計畫
週次主題
第 1 週Introduction: The Birth of Aesthetics Out of the Spirit of Music - Bowie (2009), "Music Aesthetics and Critical Theory."
第 2 週Group Discussion
第 3 週Imitation and Expression 靖凱 - *Hutcheson (1725), "An Inquiry into the Original of our Ideas of Beauty and Virtue." HD - Batteux (1746), "The Fine Arts Reduced to a Single Principle." HD - *Rousseau (1767), "Imitation." HD
第 4 週Vocal and Instrumental Music 恩勇 - *Mattheson (1739), "The Complete Music Director." ST - Rousseau (1768), "Sonata." WT - Herder (1800), "Kalligone." HD
第 5 週Language and Music 姿綾 - *Rousseau (1764), "Essay on the Origin of Languages, Which Treats of Melody and Musical Imitation," 66-76. HD
第 6 週Music and the Fine Arts 鈺玗 - *Sulzer (1771), "General Theory of the Fine Arts," 95-102. HD
第 7 週Writing Week
第 8 週Writing Week
第 9 週Mid-term Report Due
第 10 週Mid-term Presentation
第 11 週The Beautiful and the Sublime 恩勇 - *Burke (1757), "A Philosophical Enquiry into the Origin of our Ideas of the Sublime and the Beautiful." HD - Kant (1790), "The Critique of Judgment," 154-161. HD
第 12 週Judgment and Imagination 姿綾 - Kant (1790), "The Critique of Judgment," 161-169. HD - *Michaelis (1805 ff.), misc. articles. HD
第 13 週Genius and Culture 靖凱 - de Jaucourt (1757), "Genius." HD - *Rousseau (1767), "Genius." HD - *Sulzer (1771), "Genius" (General Theory of the Fine Arts), 102-105. HD - *Koerner (1795), "On the Representation of Character in Music." HD
第 14 週Classic and Romantic 鈺玗 - Wackenroder (1797), "The Remarkable Musical Life of the Musician Joseph Berglinger." ST - Wackenroder (1799), "Fantasies on Art." KD - *Millin (1806), "Dictionary of the Fine Arts." HD - *Hoffmann (1813), "Beethoven's Instrumental Music." ST
第 15 週Final Presentation
第 16 週Writing Week
第 17 週[Holiday] 1/4 (Sat) Final Report Due
第 18 週Conclusion: The Birth of Utopia Out of the Spirit of Aesthetics - Dahlhaus (1967), "Historical Starting Points."
教科書

Allanbrook, Wye Jamison, ed. _The Late Eighteenth Century_. Edited by Oliver Strunk. Rev. ed. Leo Treitler ed. Vol. 5, Source Readings in Music History. New York: Norton, 1998. [ST] Baker, Nancy, and Thomas Christensen, eds. _Aesthetics and the Art of Musical Composition in the German Enlightenment: Selected Writings of Johann Georg Sulzer and Heinrich Christoph Koch_. Cambridge: Cambridge University Press, 1996. [BC] Fubini, Enrico, ed. _Music & Culture in Eighteenth-Century Europe: A Source Book_. Translation edited by Bonnie J. Blackburn. Chicago: University of Chicago Press, 1994. Katz, Ruth, and Carl Dahlhaus, eds. _Contemplating Music: Source Readings in the Aesthetics of Music_. Vol. 2. Stuyvesant, N.Y.: Pendragon Press, 1987. [KD] Le Huray, Peter, and James Day, eds. _Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries_. Abridged ed. Cambridge: Cambridge University Press, 1988. [HD] Weiss, Piero, and Richard Taruskin, eds. _Music in the Western World: A History in Documents_. 2nd ed. Belmont, CA: Thomson/Schirmer, 2008. [WT] Current literature supplementing the source reading to be announced and discussed in class.

Office Hours
地點
HC513
時間
Tue 12-13, Thur 12-13 (early appointment please)
聯絡方式
kam@nctu.edu.tw ext. 58308