英國文學(二)
English Literature (2)
| 節 | 週二 |
|---|---|
5 13:20–14:10 | 英國文學(二) F210 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
In this survey of English literature from Romanticism through the 20th century, we will read and discuss poetry, fiction, prose, and drama in the context of social change, war, modernism, post-colonialism, and posthumanism (ecological and technological issues).
Course open only to DFLL students (majors and minors).
1. Plagiarism--copying (copying and pasting) the words of others without putting them in quotations and acknowledging the source--will result in a zero grade. 2. Skipping class for 3 or more times with no official approval or proof from a hospital will result in failure of this course. All absences are subject to a -2 deduction from the final grade. Excused absences may be made up by writing an original essay on a topic designed by the instructor. 3. At the beginning of each class, students will turn in a response to the week's readings. The response must be thoughtful, original writing, typed and printed out on a full sheet of paper (A4). Late responses will not be accepted (6 minutes after class starts is considered late). Minimum length: 150 words. Be sure to include your English and Chinese names and student number. 4. Midterm and final exams include vocabulary (from the readings); identification (title and author); analysis and interpretation of imagery and structures, metaphors and allusions; essay questions (primarily on issues raised in class); and definition of technical terminology (literary terms and interdisciplinary borrowings). 5. Students will present individually (10 minutes per student) and are graded individually; however, the work is divided within groups (one group for each day, usually). Presentation must focus on close reading of texts, not only providing background information on authors and contexts.
Grading: Class participation in group and class dialogue, and possible pop quizzes: 25% Individual presentation: 25% Midterm exam: 25% Final exam: 25% Attendance (absences subtracted from final grade: -2/absence). Even excused absences must be made up by extra assignments. See professor for details.
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction to course. Bring textbooks. Begin William Blake, "Songs of Innocence" and "Songs of Experience", "The Marriage of Heaven and Hell". |
| 第 2 週 | William Blake continued. Begin “The Revolution Controversy and the ‘Spirit of the Age’” section Richard Price: From "A Discourse on the Love of Our Country"; Edmund Burke: From "Reflections on the Revolution in France"; Mary Wollstonecraft: From "A Vindication of the Rights of Men" Thomas Paine: From "Right of Man" |
| 第 3 週 | Finish “The Revolution Controversy and the ‘Spirit of the Age’” section. William Wordsworth; "Lines Composed a Few Miles above Tintern Abbey"; "Emotion Recollection in Tranquillity"; "I wandered lonely as a cloud"; "My heart leaps up"; "Ode: Intimations of Immortality" |
| 第 4 週 | Samuel Taylor Coleridge; "The Rime of the Ancient Mariner" |
| 第 5 週 | Percy Bysshe Shelley; "Mutability"; "To Wordsworth"; "Hymn to Intellectual Beauty"; A Defence of Poetry, The Mask of Anarchy. |
| 第 6 週 | Mary Wollstonecraft Shelley (from Frankenstein, not in textbook; selection to be distributed ahead of class) Preview film. Discuss Frankenstein. |
| 第 7 週 | Continue reading/discussion: Frankenstein. John Keats, "Ode on a Grecian Urn" |
| 第 8 週 | Robert Browning; "My Last Duchess"; "Andrea del Sarto" Alfred, Lord Tennyson; "Mariana"; "The Charge of the Light Brigade" Algernon Charles Swinburne, "Hermaphroditus" |
| 第 9 週 | Charles Darwin, from The Origin of Species, from The Descent of Man Leonard Huxley, from The Life and Letters of Thomas Henry Huxley John Stuart Mill, from On Liberty. “Industrialism: Progress or Decline?” sections: The Children’s Employment Commission; Friedrich Engels |
| 第 10 週 | Midterm examination |
| 第 11 週 | Oscar Wilde, The Importance of Being Ernest. Preview film/stage version. |
| 第 12 週 | Oscar Wilde, The Importance of Being Ernest. Preview film/stage version. Sir Arthur Conan Doyle, "The Speckled Band" |
| 第 13 週 | Voices from World War I: Edward Thomas, "The Owl," "Rain" Siegfried Sassoon, "They," "The Rear-Guard," "The General," "Glory of Women" Isaac Rosenberg, "Break of Day in the Trenches," "Dead Man's Dump" Wilfred Owen, "Anthem for Doomed Youth," "Dulce Et Decorum Est," "From Owen's Letters to His Mother," "Preface" Also: William Butler Yeats, "The Second Coming" |
| 第 14 週 | Begin: Samuel Beckett, Endgame (Includes preview of film version that is close to stage version) |
| 第 15 週 | Continue: Samuel Beckett, Endgame Blast, pp. 2070-2077 |
| 第 16 週 | Virginia Woolf, "The Mark on the Wall" T. S. Eliot, "The Love Song of J. Alfred Prufrock," “The Hollow Men” and one essay: “Tradition and the Individual Talent” |
| 第 17 週 | W. H. Auden Poetry: “Lullaby,” “Spain,” “In Memory of W. B. Yeats,” “The Unknown Citizen,” “September 1, 1939” Essay: “[Poetry as Memorable Speech]” |
| 第 18 週 | Final Examination |
The Norton Anthology of English Literature, Volume 2. Ninth Ed.
- 地點
- HC315
- 時間
- Wed (3) EFG
- 聯絡方式
- interpoetics@gmail.com x58115