臺灣研究導論
Introduction to Taiwan Studies
| 節 | 週一 |
|---|---|
5 13:20–14:10 | 臺灣研究導論 F106A 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This seminar is designed for international students who are interested in Taiwan studies as a field of inquiry. Instead of positing Taiwan as an self-evident political, economic, and cultural entity, this seminar begins with identifying the « problems » of and related to Taiwan—problems that shaped Taiwan as a distinct subject in the contemporary political and cultural debates: for instance, national identity, language politics, history of migration, geopolitical location, youth culture and activism, and indigeneity. In short, it posposes to study Taiwan by asking : What made Taiwan Taiwan ? Thus, rather than merely taking a top-down model of instruction to explain what Taiwan studies is, this seminar adopts a bottom-up model by asking students to collectively « construct » Taiwan in relation to the multiple worlds they inhabit. This means that students are requested not only to connect Taiwan to where they come from—what images Taiwan has, how is it reported and discussed there—but also to present or work through a series of inquiries—for instance: Is Taiwan Chinese ?; Is it more Northeast Asian than Southeast Asian?; and what does that mean to locate Taiwan in these different cultural and geopolitical registers—with whcih they may proceed with some research into the island’s history, culture, and politics, and come up with their own ideas about what is at stakes in Taiwan studies. This seminar therefore consists of three units: The first unit looks at Taiwan through the lens of migration, identity, and politics, to inform and frame our discussion about Taiwan so that we can begin to see Taiwan as a constructed problematic. The second unit looks at Taiwan through the prism of culture: baseball, bridal industry, cinema and music, some common categories in which Taiwan seeks to assert its own uniqueness. We will consider how culture becomes a critical terrain for thinking about the Taiwan problematic. After Unit 2, we’ll pause a bit, both to reflect on what we have learned so far and extend our learning to actual sites of history. We’ll take a day tour together to see some of the sites of history in Taipei and think about what we may wish people to learn about and see in Taiwan. This field trip is intended to be an experiment on how to do critical thinking in the tourism business. The third unit, though short, is critical to our seminar, because youth activism and particularly the Sunflower Movement of 2014 has come to be seen as a watershed moment, as the culmination of Taiwanese identity. We will utilize what we learned from the previous weeks to analyze the meaning of this event, and to consider what is at stake in Taiwan studies as a field of inquiry.
Students must be able to speak and write in English in an academic setting. Students are advised to have at least some basic Chinese for communication. Ability to read Chinese characters will be a plus.
Students are expected to complete all the assigned readings, participate in the discussion, and punctually submit four two-page response papers and a field observation report, in addition to completing a final project. The final project can take one of the following forms: 1) a research paper (minimum 10 double-spaced pages) on a chosen inquiry related to the concerns of the course; 2) an activist, collaborative project that applies what you learned in class to social issues, such as an artistic installment, a photo essay, or a documentary; 3) or an annotated bibliography (20 titles minimum, building toward clarifying a research topic related to this course) with explanations of its rationale (in 3-5 pages). Final project proposals (1-2 pages to clarify your idea and direction) must be submitted by May 4, 2020 for discussion and approval. The final project is due on June 15, 2020, the last meeting of the class. Students interested in option 2 can consider the theme of “doing a critical Taiwan tour,” using images and texts to show and explain the Taiwan that needs to be known or seen. Students can be creative with this. Students interested in option 3 can consider doing a preliminary survey on Taiwan studies in English publication, or choose a keyword, such as youth activism or aboriginal culture, to organize your annotated bibliography. It can be books and articles that you have read, or a list of reading (including films) that you would put together as an archive for further research.
Writing Assignments: 45% Presentation/Discussion: 25% Final Project: 30%
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction |
| 第 2 週 | Melissa Brown, Chapter 1, Is Taiwan Chinese? Shu-mei Shih, “Globalisation and the Insignificance of Taiwan,” Postcolonial Studies Arif Dirlik, “Taiwan: The Land Colonialism Made,” Boundary 2 |
| 第 3 週 | Paul Barclay, Chapters 1 and 4, Outcasts of Empire Leo Ching, “Reconciliation Otherwise: Intimacy, Indigeneity, and the Taiwan Difference,” Boundary 2 First Response Paper Due |
| 第 4 週 | Andrew Morris, Chapters 1, 3 and 5, Colonial Project, National Game |
| 第 5 週 | Adrian Bonnie, Chapters 1, 3, and 6, Framing the Bride Second Response Paper Due |
| 第 6 週 | School Activity Week: No Class |
| 第 7 週 | Film Screening: Hou Hsiao-Hsien, A City of Sadness |
| 第 8 週 | Guo-Juin Hong, Taiwan Cinema, Introduction and Afterword. Ming-Yeh Rawmsley, “Cinema, Historiography, and Identities in Taiwan: Hou Hsiao-Hsien’s A City of Sadness,” Asian Cinema (2011) Christopher Lupke, “The Muted Interstices of Testimony: A City of Sadness and the Predicament of Multiculturalism in Taiwan,” Asian Cinema (2004) |
| 第 9 週 | Allen Chun, “World Music, Cultural Heteroglossia and Indigenous Capital: Overlapping Frequencies in the Emergence of Cosmopolitanism in Taiwan” Futuru Tsai, “Amis Hip Hop: Bodily Expressions in Contemporary Young Amis in Taiwan” (link: https://reurl.cc/ObWWa3) Eva Tsai, “Tacky and World-Class: Hsieh Jin Yen, Taiwan EDM, and the Reinvigoration of Tai,” Made in Taiwan: studies in Popular Music Andrew F. Jones, “Chrysanthemum Fields Forever: The Labor Exchange Band, Taiwanese Folk Rock, and the LP Form,” Made in Taiwan: studies in Popular Music Third Response Paper Due |
| 第 10 週 | Self-Guided Tours to “Sites” of History |
| 第 11 週 | Melissa Brown, Chapter 6, Is Taiwan Chinese? Olwen Bedford and Kwang-Kuo Hwang, Chapters 1-4, Taiwanese Identity and Democracy |
| 第 12 週 | Discussion and Reflections Field Observations Due Final Project Proposal Due |
| 第 12 週 | Ian Rowen, “Inside Taiwan's Sunflower Movement: Twenty-Four Days in a Student-Occupied Parliament, and the Future of the Region” (2015) Mei-chun Lee, “Occupy on Air: Transparency and Surveillance in Taiwan's Sunflower Movement” (2015) |
| 第 13 週 | Ming-sho Ho, “Occupy Congress in Taiwan: Political Opportunity, Threat, and the Sunflower Movement (2015) Chih-ming Wang, “The Future that Belongs to Us: Affective Politics, Neoliberalism, and the Sunflower Movement” (2017) Fourth Response Paper Due |
| 第 14 週 | Individual Research and Consultation |
| 第 15 週 | Individual Research and Consultation |
| 第 16 週 | Individual Research and Consultation |
| 第 17 週 | Final Project Presentation Final Project Due |
| 第 18 週 | Exam Week: No Class |
All assigned readings can be accessed through a shared google drive: https://drive.google.com/drive/folders/1SoI04oA0TAG73DDtZSB2R6vyz5wEM7ui
- 地點
- NCTU campus or by arrangement
- 時間
- Monday before or after class or by arrangement
- 聯絡方式
- wchimin@hotmail.com