音樂學實務一
Musicology Practicum I
| 節 | 週四 |
|---|---|
2 09:00–09:50 | 音樂學實務一 HC513 2 節連堂 |
3 10:10–11:00 |
* 根據陽明交大上課時間表所列
This course introduces a series of writings touching on various trends of thoughts in recent music scholarship, works that draw a connection between music and cultural studies. The aim of this course is to introduce how the study of music has been gone beyond “music in itself,” the ways how music is related to disciplines such as literature, gender studies, social studies. The writings involving examples from Western art music lean toward 19th- and 20th-century music. We will complement our discussion of these writings with issues in academic writing, and some strategies for the writing about music. The readings for each week are either available on NCTU library’s subscribed website (e.g., JSTOR) or posted on the course website. Recommended textbook on scholarship writing: Kate Turabian, A Manual for Writers of Research Papers, Theses, and Dissertations (Chicago: University of Chicago Press, 2018). We focus on 1-2 articles per week; Each student will take turns presenting an article every month, offering a close reading and critique of its major points. At the of the semester, each student will present an article not assigned in the course syllabus.
This course is for grad musicology majors only.
Attendance & participation: 35% Presentation of weekly readings: 30% Term project: 35%
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction & overview |
| 第 2 週 | Schubert’s sexuality: why does it matter? Readings: articles from 19th-Century Music 17/1 (1993) “Schubert: Music, Sexuality, Culture” (JSTOR) & Steblin, “The Peacock’s Tale” (JSTOR) |
| 第 3 週 | Schubert’s sexuality: how much does it matter? Readings: articles from NCM 17/1 (1993) Muxfeldt, “Political Crimes and Liberty” (JSTOR) & Agawu, “Schubert’s Sexuality” (JSTOR) Repertory: Schubert, Ganymede |
| 第 4 週 | A “feminine ending” in music (?) Readings: McClary, Feminine Endings, ch. 1 (“Introduction”) |
| 第 5 週 | German Lied and its multiple voices Reading: E. T. Cone, The Composer’s Voice, ch. 2 (“Persona, Protagonist, and Characters”) |
| 第 6 週 | From literature to music: adaptation and translation Readings: Dumas, La dame aux camilias & Libretto of Verdi/Piave, La traviata |
| 第 7 週 | Western art music and its Other Reading: Said, Orientalism (excerpt) |
| 第 8 週 | Said, Orientalism (cont.) |
| 第 9 週 | TBA |
| 第 10 週 | individual appointments: discussion of term project |
| 第 11 週 | The “Fassung der letzter Hand”?: manuscript, facsimile, and critical edition |
| 第 12 週 | The author and his/her death Reading: Barthes, “Death of the Author” |
| 第 13 週 | The impact of Bloom’s Anxiety of Influence on music scholarship Reading: Bloom, The Anxiety of Influence (excerpt) |
| 第 14 週 | Modern music and its audience Reading: Babbitt, “Who Care If You Listen?” |
| 第 15 週 | Modern music and the Frankfurt school Reading: Adorno, “A Social Critique of Radio Music” |
| 第 16 週 | Presentation of term project |
| 第 17 週 | TBA |
| 第 18 週 | Conclusion |
cf. 課程概述與目標
- 地點
- HC511
- 時間
- Wednesday, 3:30-5 pm or by appointment
- 聯絡方式
- blblume@nctu.edu.tw, ext 58316