近代博物館與展示文化

Museums and Exhibition Cultures 1500-1900

學期

109-1

學分

3 學分

當期課號

B545

永久課號

B0550

開課單位

視覺文化研究所

授課教師

黃桂瑩

校區

陽明

類別

選修

上課時間表

節	週三
5 13:20–14:10	近代博物館與展示文化 YX322 3 節連堂
6 14:20–15:10
7 15:30–16:20

* 根據陽明交大上課時間表所列

週次計畫

週次	主題
第 1 週	9/16 課程導論:博物館與觀看的方式閱讀範圍: Svetlana Alpers, “The Museum as a Way of Seeing,” in Ivan Karp and Steven D. Lavine (eds.), Exhibiting Cultures (Washington: Smithsonian Institution Press, 1991), pp. 25-32.
第 2 週	9/23 近代早期宮廷文化與奇物收藏室閱讀範圍: 1. Greenhill, Eilean Hooper, Museums and the Shaping of Knowledge (London and New York, Routledge, 1992), Chapter 3, “The Palace of the Prince,” pp. 47-77. 2. Greenhill, Eilean Hooper. Museums and the Shaping of Knowledge (London and New York, Routledge, 1992), chapter 4, “The Irrational Cabinet,” pp. 78-104.
第 3 週	9/30藝術展示與正典建構:Parthnon雕像,倫敦國家藝廊閱讀範圍: 1. Alex Potts, “The Impossible Ideal: Romantic Conceptions of the Parthenon Sculptures in Early Nineteenth-Century Britain and Germany,” in Andrew Hemingway and William Vaughan (eds.), Art in Bourgeois Society, 1790-1850 (Cambridge: Cambridge University Press, 1998), pp. 101-122. 2. Charlotte Klonk, “Mounting Vision: Charles Eastlake and the National Gallery of London,” The Art Bulletin, Vol. 82, No. 2 (Jun., 2000), pp. 331-347.
第 4 週	10/7 形塑國家認同:國家博物館的內涵與爭議閱讀範圍: 1. Martijn Polm, “Museum Representations of Roman Britain and Roman London: A Post-colonial Perspective,” Britannia, Vol. 47 (2016), pp. 209-241. 2. Douglas Klahr , “Munich as Kunststadt, 1900-1937: Art, Architecture, and Civic Identity,” Oxford Art Journal, Vol. 34, No. 2 (2011), pp. 179-201. 參考:Carol Duncan, 《文明化的儀式:公共美術館之內》,王雅各譯,(台北:遠流,1998),第二章。
第 5 週	10/14 萬國博覽會與展示政治學 (I):文化作為商品閱讀範圍: 1. 吉見俊哉,《博覽會的政治學》,蘇碩斌、李衣雲、林文凱、陳韻如譯,(台北:群學,2010),第一章「水晶宮的誕生」,第五章「帝國主義的祭典」。 2. Saloni Mathur, India by Design: Colonial History and Cultural Display (Berkeley and Los Angeles: University of California Press, 2007), chapter 1, “The Indian Village in Victorian Space: the Department Store and the Cult of the Craftsman,” pp. 27-51.
第 6 週	10/21萬國博覽會與展示政治學(II):奇觀秀 1. Donald Preziosio, “Hearing the Unsaid: Art History, Museology, and the Composition of the Self,” in Elizabeth Mansfield (ed.), Art History and its Institutions: Foundations of a Discipline (London and New York: Routledge, 2002), pp. 28-45. 2. Robert D. Aguirre, Informal Empire: Mexico And Central America In Victorian Culture (University Of Minnesota Press, 2005), Chapter 4,頁數待確認。
第 7 週	10/28萬國博覽會與展示政治學(III):呈現東方 1. Judith Snodgrass, “ Exhibitiing Meji Modenity: Japanese Art at the Columbian Exposition,” East Asis History, No. 31, June (2006), pp. 75-100. 2. 王正華,〈呈現「中國」晚清參與1904年美國聖路易萬國博覽會之研究〉,黃克武主編,《畫中有話:近代中國的視覺表述與文化構圖》 (台北:中央研究院近代史研究所,2003),頁421-475。
第 8 週	11/4 期中口頭報告
第 9 週	11/11 分類與定義(I):19世紀歐美博物館與人類學閱讀範圍: 1. Steven Conn, Museums and American Intellectual Life, 1876-1926 (Chicago: Chicago University Press, 1998), chapter 3(部分), pp. 75-101. 2. William Ryan Chapmen, “Arranging Ethnology: A. H. L. F. Pitt Rivers and the Typological Tradition,” in George W. Stocking (ed.), Objects and Others: Essays on Museums and Material Culture (Madison: University of Wisconsin Press, 1985), pp. 15-48. 參考: 戴麗娟,〈馬戲團、解剖室、博物館:黑色維納斯在法蘭西帝國〉,《臺灣社會研究季刊》,54 (2004): 177-212。
第 10 週	11/18 分類與定義(II):自然史與後達爾文時代的展示 1. Juliana Adelman, “Evolution on Display: Promoting Irish Natural History and Darwinism at the Dublin Science and Art Museum,” The British Journal for the History of Science,Vol. 38, No. 4 (Dec., 2005), pp. 411-436. 2. Tony Bennett, Pasts Beyond Memory: Evolution, Museums, Colonialism, (New York: Routledge, 2004), 章節待定。
第 11 週	11/25 博物館與殖民主義 1. Tom Griffiths, Hunters and Collectors: The Antiquarian Imagination in Australia (Cambridge University Press,1996),章節待定。 2. Iain Chambers et al (eds.,), The Postcolonial Museum:the Arts of Memory and the Pressures of History(Farnham: Ashgate, 2014),章節待定。
第 12 週	12/2群眾的博物館 (I):教育與社會改革閱讀範圍: 1. Susan P. Casteras, “’The Germ of a Museum Arranged First for ‘Workers in Iron’”: Ruskin’s Museological Theories and the Curating of the the Saint George’s Museum’, in Susan Phelps Gordon and Anthony Gully(eds.), John Ruskin and the Victorian Eye (New York: Abrams, 1993), pp. 184-200. 2. Amy Woodson?Boulton, ’“Industry without Art Is Brutality”: Aesthetic Ideology and Social Practice in Victorian Art Museums’, Journal of British Studies, Vol. 46, No. 1 (January 2007), pp. 47-71
第 13 週	12/9群眾與博物館 (II):空間,規範與行動政治閱讀範圍: 1. Tony Bennett, The Birth of the Museum: History, Theory, Politics (London: Routlegde, 1995, reprinted 2009), chapter 2, “The Exhibitionary Complex,” pp. 59-85. 2. Carol Duncan, 《文明化的儀式:公共美術館之內》,王雅各譯,(台北:遠流,1998), 第一章。
第 14 週	12/16 專題討論
第 15 週	12/23博物館作為烏托邦:建築與城市脈絡閱讀範圍: 1. Andrew McClellan, “From Boullee to Bilbao: the Museum as Utopian space,” in Elizabeth Mansfield (ed.), Art History and its Institutions: Foundations of a Discipline (London and New York: Routledge, 2002), pp. 46-64. 2. Nicole Pohl, “''''Passionless Reformers'''': the Museum and the City in Utopia”, in Michaela Giebelhausen (ed.) The Architecture of the Museum: Symbolic Structures, Urban Contexts(Manchester, Manchester University Press, 2003), pp. 127-143.
第 16 週	12/30 傳統之後:白方盒閱讀範圍: Brian O’Doherty, Inside the White Cube: the Ideology of the Gallery Space (Berkeley: University of California Press, expended edition, 2000) pp. 13-34. *請同學實地考察一展覽空間,於課堂進行10分鐘報告。
第 17 週	1/6 「藝空間」策展
第 18 週	1/13「藝空間」策展