電影與媒體理論
Film and Media Theory
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 電影與媒體理論 F106A 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This course introduces students to theories of film and related technological media, including photography, television, video, digital media (or the so-called "new media"), and so on. We will read essential theory texts in the field. In some cases, we will also watch selected film and media texts, so that students who were not trained in film and media studies can fully comprehend what is at stake in these theories. We will have a class session in which Taiwanese festival programmer Lori Chen (Chen Ruo-Yi) will discuss her trajectory of curating film festivals in Taiwan and the challenges she faces when doing socially engaged curatorial work. 本課程向同學引介電影與相關科技性媒體,包括攝影、電影、錄像與數位媒體(或約「新媒體」)以及因著不同時期新媒體的出現而產生的理論。我們每週會閱讀理論文獻,而在部分時候,課程教師也會選取影片在課堂上做放映與討論,以讓未接受過正式電影與相關視覺媒體訓練的同學可更了解所讀理論之精髓。
This course will be taught bilingually, in English and Mandarin Chinese. 雙語授課
This is a graduate seminar—which means that students are expected to be active participants rather than passive consumers in the class. 1. In-class presentation: 25% Each week, students should take turns to give a presentation of around 30 minutes of weekly assigned materials. 2. In-class discussion and weekly notes on Slack: 25% 2A.) Those who are not presenting should also read course materials in advance, share their notes on Slack (1-2 pages), and participate in class discussions. 2B.) In addition to their notes on course readings (many of which are rather brief by the standard of a graduate-level course), students are also encouraged to upload their notes on film/media texts to Slack. *The notes are due every Thursday at 8 am. Graduate students should upload their notes on course readings every week. Undergraduate students should post their notes every three weeks at least. 研究生必須每週上傳筆記。大學部學生至少每三週必須上傳一次筆記。 * Those who are absent for more than 3 times will get a “zero” grade for this item. 無論任何原因缺席3以上者,本項將以零分計算。 3. Two analytical essays: 50 % (25% each) Students who take this course should write two analytical essays on the theories we read for the course. *Expected length of the paper: 2,500 words and above for graduate students; 1,500-2,000 words for undergrad students. You may write either in English or in Chinese. * When writing the essays, please use the Chicago Style, MLA, or the academic format of an established scholarly journal in Taiwan. 4. No auditors, please. 本課程要求學生主動參與,故不接受旁聽
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction |
| 第 2 週 | Photography |
| 第 3 週 | CInema; Theories of Montage |
| 第 4 週 | The Cinema of Attractions |
| 第 5 週 | Cinema and Technological Media; Walter Benjamin |
| 第 6 週 | Classical Hollywood Cinema |
| 第 7 週 | Cinema and Time: Two Ways of Thinking, After WWII |
| 第 8 週 | Feminist and Psychoanalytic Film Theory; the Apparatus Theory |
| 第 9 週 | The Apparatus Theory II; Sound Theory; Rethinking Visual Pleasure; Feminist Film Theory II |
| 第 10 週 | Cinema, Affect, and Popular Culture; Feminist Film Theory III |
| 第 11 週 | Television, Old and New |
| 第 12 週 | Video and the Senses |
| 第 13 週 | Media Archaeology; the Virtual and the Digital |
| 第 14 週 | “New Media”; Network Aesthetics |
| 第 15 週 | Public Lecture by Lori Chen (CHEN Ruo-yi), The Center for the Arts, National Tsing-Hua University |
| 第 16 週 | Critical Game Studies |
| 第 17 週 | Paper-writing Time I |
| 第 18 週 | Paper-writing Time II |
- 時間
- Wednesday afternoons. Or Thursday 4:40 pm-6:10 pm
- 聯絡方式
- hjtsai1@nctu.edu.tw