音樂、視覺與空間
Music, Image, and Space
| 節 | 週二 |
|---|---|
7 15:30–16:20 | 音樂、視覺與空間 HC514 3 節連堂 |
8 16:30–17:20 | |
9 17:30–18:20 |
* 根據陽明交大上課時間表所列
Co-taught by two faculty members of the institute of music, this seminar explores music’s relationship to vision (visual perception, visual representation) and its interaction with space (for example, acoustical space). In addition, the inclusion of physical movement (such as dance and choreography) into music in operas, musicals, and instrumental music, and composers’ special ways to deal with timbre will also play a significant role in this course. The repertories that we will delve into (cf. repertory list below) range from European music from the mid 19th century to the present. The theories that we will cover include discussions of music’s association with vision and space, including works by by Goethe (color theories), Young (visual perception), Helmholtz (sound studies), Wagner (the spatial and acoustic design of his Festival Theatre), Scriabin (synesthesia), and theories in theatre and drama by Brecht. Using these primary sources as a point of departure, we will discuss how European composers from mid-late 19th century on treated music’s incorporation with multimedia in various ways, and how that enriches our discussion of music beyond “music in and of itself.”
This course is primarily for music graduates. Non-music majors and undergraduates are highly recommended to talk to the course instructors first.
TBA
| 週次 | 主題 |
|---|---|
| 第 1 週 | introduction & overview |
| 第 2 週 | introduction & overview |
| 第 3 週 | Liszt, Hunnenschlacht |
| 第 4 週 | Liszt, Hunnenschlacht |
| 第 5 週 | Wagner, Die Meistersinger von Nürnberg |
| 第 6 週 | Wagner, Der Ring des Nibelungen |
| 第 7 週 | Wagner, Der Ring des Nibelungen |
| 第 8 週 | Wagner, Parsifal |
| 第 9 週 | Scriabin, Clavier à lumières |
| 第 10 週 | Ives, The Unanswered Question |
| 第 11 週 | Corigliano, Circus Maximus |
| 第 12 週 | Mauricio Kagel, Staatstheater, Pas de Cinq/instrumental theatre - visualized performing and theatrical stage |
| 第 13 週 | Georges Aperghis, Luna Park / instrumental theatre-spaced timing |
| 第 14 週 | Bern Alois Zimmermann, Die Soldaten / pluralism |
| 第 15 週 | Mano Tsangaris, Winzig /enviromental theatre |
| 第 16 週 | Karlheinz Stockhausen, Musik für ein Hause / virtual space and music technology |
| 第 17 週 | 董昭民,擊樂五重奏《達悟野銀》,多媒體劇場作品《達爾文的琵琶》/ 音樂劇場以及互動科技音樂-整體藝術 |
| 第 18 週 | Conclusion |
Course readings are either available on NCTU's library website or posted on the course website in PDF
- 地點
- TBA
- 時間
- Wednesday, 3:30-5 pm or by appointment
- 聯絡方式
- blblume@nctu.edu.tw, ext 58316