西方視覺文化中的階級、消費與認同
Classes, Consumption and Identity in Western Visual Culture
學期
109-2
學分
3
學分
當期課號
B938
永久課號
B2189
開課單位
視覺文化研究所
授課教師
黃桂瑩
校區
陽明
類別
選修
上課時間表
| 節 | 週二 |
|---|---|
5 13:20–14:10 | 西方視覺文化中的階級、消費與認同 YX322 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
概述
【授課主題】 日期 授課主題 2/23 導言及課程介紹 3/2 風俗畫,鄉民與地景 I 3/9 大眾文化:以嘉年華為例 3/11 風俗畫,鄉民與地景 II 3/23 風俗畫,鄉民與地景 III 3/30 市民文化,中產意識,禮儀社會 4/6 春假 4/13 勞動者,身體與城市空間 I 4/20 期中口頭報告 4/27 勞動者,身體與城市空間II 5/4 視覺文化中的工作倫理:勞動/休閒,勤奮/懶散 5/11 消費社會與階級認同 I 5/18 消費社會與階級認同 II 5/25 寫實主義中的階級政治 6/1 20世紀攝影與視覺文化中的階級形象 6/8 期末口頭報告
先修科目
【授課方式與課程要求】 本課程閱讀資料以英文學術著作為主,輔以中文著作。每週均有指定閱讀範圍,同學需於課前閱讀完畢,於課堂積極參與討論,以訓練表達與詮釋技巧。此外,同學將藉由撰寫期中與期末報告,培養獨立學術研究的能力。
教學方式
【課程簡介】 近年來大眾史逐漸成為學院內外的探論焦點。在其中,視覺文化不僅扮演後人用以「圖像證史」的證據,更以其傳播與再現形式積極介入歷史當下,再現、打造不同階級文化。本課程將以1600-1900年為主要範疇,梳理在此時期劇烈的智識啟蒙、經濟變遷與政治革命之下的西方視覺文化。在題旨上,特別專注鄉民(peasant)、城市勞動者以及中產階級等中下階層,考察他們如何被形塑為特定族群,或是主動地透過不同視覺或物質形式,打造日益鮮明的階級認同。所探討的議題將包括風俗畫的發展、城景/風景中的階級政治,以及工作倫理、勞動者形象、市民意識等。藉此課程,同學將可對此時期西方社會文化史有深入認識,並能以視覺社會史的取徑,掌握分析、詮釋視覺材料的方法。
評分方式
【評量方式】 1. 課堂口頭報告:20% 2. 課堂參與討論:20% 3. 期中口頭及書面報告(3000字以上,含註釋及參考書目):30% 4. 期末口頭及書面報告(7000字以上,含註釋及參考書目):30% *本課程書面報告為一萬字文章一篇,需在本課程所論及的年代議題中選定主題。期中口頭及書面報告可為大綱說明,期末報告則需呈現完整之分析內容。 【報告繳交期限】 110年 6月 20日(暫定) 午夜12:00之前上傳至E3平台,遲交分數將乘以0.9計算
週次計畫
| 週次 | 主題 |
|---|---|
| 第 1 週 | 2/23 導言及課程介紹 Arthur J. DiFuria, “Genre: Audience, Origins, and Definitions,” in Genre Imagery in Early Modern Northern Europe: New Perspectives, ed., Arthur J. DiFuria (London and New York: Routledge, 2016), pp. 1- 25. (16, 另附上目錄) |
| 第 2 週 | 3/2風俗畫,鄉民與地景 I Wayne Franits, “ Domesticity, Privacy, Civility, and the Transformation of Adriaen van Ostade’s Art,” in Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant, ed. Patricia Phagan (Georgia Museum of Art, University of Georgia, 1996), pp. 3-25. (9) Larry Silver, Peasant Scenes and Landscapes: the Rise of Pictorial Genres in the Antwerp Art Market (Philadelphia: University of Pennsylvania Press, 2006), Ch.1. “Introduction: ‘Cultural Selection’ and the Origins of Pictorial Species,” pp. 1-15; and Ch.2. “Antwerp as Culture System,” pp. 16-25. (23) |
| 第 3 週 | 3/9 大眾文化:以嘉年華為例 Lisa Rosenthal, “Fairtime Folly and the Taming of Transgression: Adriaen van Ostade’s Print of Peasant Festivity,” in Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant, ed. Patricia Phagan (Georgia Museum of Art, University of Georgia, 1996), pp. 27-39. (7) Alison G. Stewart, Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery (Aldershot: Ashgate, 2008), pp. 13-57. 參考閱讀: 芭芭拉.艾倫瑞克,《嘉年華的誕生:慶典、舞會、演唱會、運動會如何翻轉全世界》,(台北:左岸出版,2015年),第四、五章。 |
| 第 4 週 | 3/11 風俗畫,鄉民與地景 II Sean Shesgreen, Images of the Outcast: The Urban Poor in the Cries of London (New Jersey, Rutgers University Press, 2002), “Pastoral and Anti-Pastoral in the London Cries,” pp. 173-195. (18) Christiana Payne, “Rural Virtues for Urban Consumption: Cottage Scenes in Early Victorian Painting,” Journal of Victorian Culture, 3:1 (1998), pp. 45-68. |
| 第 5 週 | 3/23 風俗畫,鄉民與地景 III David H. Solkin, Painting out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain (New Haven and London: Yale University Press, 2008), Ch. 1, “ Village Politics,” pp. 7- 35. (20). Ch.2, “1809: The Epic of Common Life,” pp. 37-77. (20) |
| 第 6 週 | 3/30市民文化,中產意識,禮儀社會 Amy Freund, “ The Revolution at Home: Masculinity, Domesticity and Political Identity in Family Portraiture, 1789-1795,” in Interior Portraiture and Masculine Identity in France, 1789-1914, eds., Temma Balducci, Heather Belnap Jensen and Pamela J. Warner (Farnham: Ashgare, 2011), pp. 15-25. (9) 黃桂瑩,〈行善於樂──十八世紀中葉倫敦扶幼院的藝文形象與英國慈善文化〉,《新史學》, 28卷1期 (2017 / 03 / 01) , 頁115 – 192。 |
| 第 7 週 | 春假,停課一次。 |
| 第 8 週 | 4/13 勞動者,身體與城市空間 I Sean Shesgreen, Images of the Outcast: The Urban Poor in the Cries of London (New Jersey, Rutgers University Press, 2002), pp. 45-89.(17) Helen Smith, “Gendered Labour,” in The Ashgate Companion to Popular Culture in Early Modern England, eds., Andrew Hadfield, Matthew Dimmock and Abrigail Shinn(Farnham: Ashgate, 2014), pp. 178-192.(12) |
| 第 9 週 | 4/20 期中口頭報告 |
| 第 10 週 | 4/27勞動者,身體與城市空間II Nancy Rose Marchall, City of Gold and Mud: Painting Victorian London (New Haven and London: Yale University Press, 2012), Ch. 5, “ ‘As Black and Sweep-Like as I Could Desire’: Dirt, Blackness, and the Representation of Street Types,” pp. 117-143. (17) Tim Barringer, Man at Work: Art and Labour in Victorian Britain (New Haven and London: Yale University Press, 2005), “Art, Religion, and Labour,” pp. 21-56. (24) |
| 第 11 週 | 5/4 視覺文化中的工作倫理:勞動/休閒,勤奮/懶散 Sarah Jordan, The Anxieties of Idleness: Idleness in Eighteenth-Century British Literature and Culture (London: Association University Press, 2003), Ch. 2, “ Six Days Shalt They Labor: Idleness and the Labouring Classes,” pp. 37-83.(頁數待定) 黃桂瑩,〈從勤奮到自立:霍加斯版畫中的勞動者形象與工作倫理觀〉,《新史學》, 29卷3期 (2018年9月),頁111-178。 |
| 第 12 週 | 5/11 消費社會與階級認同 I Clare White, Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture: Time, Politics and Class. (London: Palgrave Macmillan, 2014), 章節待定。 John Style, The Dress of the People: Everyday Fashion in Eighteenth-Century England (New Haven and London: Yale University Press, 2007), 章節待定。 |
| 第 13 週 | 5/18 消費社會與階級認同 II Andrea Volpe, “Cartes de Visite Portrait Photographs and the Culture of Class Formation” in Looking for America: The Visual Production of Nation and People, ed., Ardis Cameron (Oxford: Blackwell Publishing, 2005), pp. 42-57. Linzy Brekke-Aloise. “‘A Very Pretty Business’: Fashion and Consumer Culture in Antebellum American Prints.” Winterthur Portfolio, vol. 48, no. 2/3, (2014), pp. 191–212. 參考閱讀: Thorstein Veblen, 李華夏譯,《有閒階級論》,(台北,左岸文化,2007),1-4及14章。 |
| 第 14 週 | 5/25 寫實主義中的階級政治 Jeannene M. Przyblyski, “ Courbet, the Commune, and the Meanings of Still Life in 1871,” Art Journal, Vol. 55, No.2, Recent Approaches to 19th-Century Visual Culture (Summer, 1996), pp. 28-37. (8) Bradley Fratello, “France Embraces Millet: The Intertwined Fates of ‘The Gleaners’ and ‘The Angelus’,” The Art Bulletin, Vol. 85, No. 4 (Dec., 2003), pp. 685-701. (14) |
| 第 15 週 | 6/1 20世紀攝影與視覺文化中的階級形象 Sarah E. James, “A Socialist Realist Sander? Comparative Portraiture as a Marxist Model in the German Democratic Republic.” Grey Room, no. 47, (2012), pp. 38–59. Erika L. Paulson and Thomas C. O’Guinn. “Working-Class Cast: Images of the Working Class in Advertising, 1950-2010.” The Annals of the American Academy of Political and Social Science, vol. 644, (2012), pp. 50–69. |
| 第 16 週 | 6/8 期末口頭報告 |
| 第 17 週 | 期末報告寫作與討論 |
| 第 18 週 | 期末報告寫作與討論 |
Office Hours
- 地點
- 陽明校區 知行樓405室
- 時間
- 與老師另行約定。
- 聯絡方式
- 分機67947 kyhuang@ym.edu.tw