音樂學實務三
Musicology Practicum III
| 節 | 週二 |
|---|---|
7 15:30–16:20 | 音樂學實務三 HC513 2 節連堂 |
8 16:30–17:20 |
* 根據陽明交大上課時間表所列
In Musicology Practicum I (autumn 2018), we focused on major writings addressing issues that occur often in scholarship in 19th- and 20th-century music, such as music aesthetics, gender studies, Orientalism, and social critique of modernity by scholars of the Frankfurt school. In this semester we will continue in a similar vein, but with a greater emphasis on works in ethnomusicology, as well as music’s relationship to social- and cultural studies. We will discuss how and why subject matter such as nationalism occur in both historical- and ethnomusicology, yet is approached differently in each discipline. We will also pick up some topics that we discussed last semester, including the issue of tastes, audience, and the culture of listening. Furthermore, we will discuss topics that come up more often in ethnomusicology such as approaches and methodologies in fieldwork.
Attendance & participation: 20% Midterm presentation (presentation of weekly readings): 40% Term project: 40%
| 週次 | 主題 |
|---|---|
| 第 1 週 | Overview: research method |
| 第 2 週 | Bloom, Anxiety of Influence, Prologue & ch. 1 (“Clinamen or Poetic Misprision”) |
| 第 3 週 | Bloom, Anxiety of Influence, Prologue & ch. 1 (“Clinamen or Poetic Misprision”) |
| 第 4 週 | Research method: Writing a precis |
| 第 5 週 | Bourdieu, Distinction, Introduction & ch. 4 (“The Dynamics of the Fields”) |
| 第 6 週 | Bourdieu, Distinction, Introduction & ch. 4 (“The Dynamics of the Fields”) |
| 第 7 週 | Titon, “Textual Analysis or Thick Description?” from Clayton and Herbert, eds., The Cultural Study of Music (ch. 6) |
| 第 8 週 | Titon, “Textual Analysis or Thick Description?” from Clayton and Herbert, eds., The Cultural Study of Music (ch. 6) |
| 第 9 週 | Johnson, Listening in Paris, ch. 13 (“The Social Roots of Silence”) |
| 第 10 週 | Tomlinson, “Musicology, Anthropology, History” from The Cultural Study of Music (ch. 5) |
| 第 11 週 | Tomlinson, “Musicology, Anthropology, History” from The Cultural Study of Music (ch. 5) |
| 第 12 週 | Goehr, The Imaginary Museum of Musical Works, ch. 8 (“After 1800: The Beethoven Paradigm”) |
| 第 13 週 | Goehr, The Imaginary Museum of Musical Works, ch. 8 (“After 1800: The Beethoven Paradigm”) |
| 第 14 週 | Shelemay, “The Ethnomusicologist, Ethnographic Method, and the Transmission”) from Barz and Cooley, eds., Shadows in the Field (ch. 9) |
| 第 15 週 | Shelemay, “The Ethnomusicologist, Ethnographic Method, and the Transmission”) from Barz and Cooley, eds., Shadows in the Field (ch. 9) |
| 第 16 週 | Study period |
| 第 17 週 | presentations |
| 第 18 週 | TBA |
All readings are posted on the course website
- 地點
- HC511 or online (Google Meet)
- 時間
- Tuesday, 1.30-3.30 pm (online) or by appointment. Due to the current Covid-19 situation, please email the course instructor if you need an appointment, which will be held online.
- 聯絡方式
- blblume@nctu.edu.tw; NYCU general number, ext. 58316