音樂學實務一
Musicology Practicum I
學期
111-1
學分
1
學分
當期課號
534806
永久課號
HSIM30018
開課單位
音樂研究所
授課教師
李奉書
校區
光復
類別
選修
上課時間表
| 節 | 週三 |
|---|---|
3 10:10–11:00 | 音樂學實務一 HC513 2 節連堂 |
4 11:10–12:00 |
* 根據陽明交大上課時間表所列
概述
TBA
先修科目
This is a required course for graduate musicology major.
評分方式
Attendance & participation: 30% Midterm presentation: 30% Term project: 40%
週次計畫
| 週次 | 主題 |
|---|---|
| 第 1 週 | Literature and music adaptations Reading: Mérimée, Carmen |
| 第 2 週 | Literature and music adaptations (cont.) Repertory: Bizet, Carmen |
| 第 3 週 | Influences in literature and the arts Reading: Bloom, Anxiety of Influence, Prologue & ch. 1 (“Clinamen or Poetic Misprision”) |
| 第 4 週 | Influences in literature and the arts (cont.) Reading; Korsyn, “Towards a New Poetic of Musical Influence,” Music Analysis (1991) (JSTOR) |
| 第 5 週 | Taste and cultural studies Reading: Bourdieu, Distinction, Introduction & ch. 4 (“The Dynamics of the Fields”) |
| 第 6 週 | Taste and cultural studies (cont.) |
| 第 7 週 | The culture of listening Reading: Johnson, Listening in Paris (excerpt) |
| 第 8 週 | The culture of listening (cont.) |
| 第 9 週 | Midterm presentation |
| 第 10 週 | Music and sensibility in the eighteenth century Reading: Castelvecchi, “From Nina to Nina”: Psychodrama, Absorption and Sentiment in the 1780s,” Cambridge Opera Journal (1996) |
| 第 11 週 | Music and sensibility in the eighteenth century (cont.) |
| 第 12 週 | Music and the uncanny Reading: Cohn, “Uncanny Resemblances: Tonal Signification in the Freudian Age,” Journal of the American Musicological Society (2004) |
| 第 13 週 | Music and the uncanny (cont.) |
| 第 14 週 | Brecht and music Reading: Kowalke, “Singing Brecht vs. Brecht Singing: Performance in Theory and Performace,” Cambridge Opera Journal (1993) |
| 第 15 週 | Brecht and music (cont.) |
| 第 16 週 | Study period |
| 第 17 週 | individual appointment |
| 第 18 週 | presentation of term project |
Office Hours
- 地點
- HC511 or online (Google Meet)
- 時間
- TBA and by appointment
- 聯絡方式
- blblume@nycu.edu.tw, ext. 58316