音樂、科技與社會:1876年以前
Music, Technology, and Society up to 1876
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 音樂、科技與社會:1876年以前 HC501 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This course offers an overview to Western art music from late Baroque to 1876, the year Wagner’s Ring was premiered. We will incorporate the music history of this period in the larger context of social and cultural developments, including the developments of aesthetics and technology. The goal of this course is twofold. Functioning as a remedial course, it offers graduate music students without sufficient knowledge in the history of Western art music a factual and conceptual grounding. Equally importantly, it approaches music as a cultural phenomenon, partaking and “bouncing back,” as an active force, to what was happening in social reforms, political upheavals, and innovations in technology and industry, including the inventions of music instruments, music devices, as well as well stagecraft, lighting, sound, and space.
This is a remedial course that covers the history of music from Baroque to 1876. Those who are not required to take it but are interested in the topics are welcome to sit in as auditors.
Attendance & participation: 30% Assignments: 20% Quizzes: 50%
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction & overview |
| 第 2 週 | Reading: AHWM, chs. 13-15, 17 Ch. 13: skim Ch. 14: the sections on the first operas and Monteverdi Ch. 15: last two sections (Instrumental music, traditions and innovations) Ch. 17: the section on da capo aria. |
| 第 3 週 | Reading: WHWM, ch. 15 (the sections on sacred music of Catholic Church & Lutheran Church) |
| 第 4 週 | Reading: AHWM, chs. 13-15, 17 Ch. 13, Ch. 14 (the sections on the first operas and Monteverdi) Ch. 15 (the sections on sacred music of Catholic Church & Lutheran Church, instrumental music, traditions and innovations) Ch. 17 (the section on da capo aria) |
| 第 5 週 | Reading: TBA |
| 第 6 週 | Reading: AHWM, Ch. 16: the sections on French & English Baroque; skip the sections on Spain and the New World |
| 第 7 週 | Reading: TBA |
| 第 8 週 | AHWM, chs. 18 (“The Early Eighteenth Century In Italy and France”) & 19 (“German Composers of the Late Baroque”) |
| 第 9 週 | Readings: TBA & quiz #1 |
| 第 10 週 | TBA |
| 第 11 週 | TBA |
| 第 12 週 | AHWM, chs. 22 (“Instrumental Music: Sonata, Symphony, and Concerto”) |
| 第 13 週 | TBA |
| 第 14 週 | TBA |
| 第 15 週 | TBA |
| 第 16 週 | TBA |
| 第 17 週 | TBA |
| 第 18 週 | Quiz #2 |
There is no textbook per se for this course. However, students are encouraged to check out a copy of Burkholder, Grout, and Palisca’s A History of Western Music from the library. This source will provide basic information regarding charts, chronology, and terminology, factual information for a undergraduate music history survey course. Essential course readings are accessible either on the course website or NCTU’s library system, under electronic resources. Two quizzes focusing on repertoire building and score-reading will take place in mid- and end of the term.
- 地點
- HC511 or online (Google Meet)
- 時間
- TBA or by appointment
- 聯絡方式
- blblume@nycu.edu.tw, ext. 58316