數位文化研究概論
Introduction to Digital Culture Studies
學期
112-1
學分
3
學分
當期課號
534501
永久課號
HSSC30039
開課單位
社會與文化研究所
授課教師
邱德亮
類別
選修
上課時間表
| 節 | 週五 |
|---|---|
2 09:00–09:50 | 數位文化研究概論 F106A 3 節連堂 |
3 10:10–11:00 | |
4 11:10–12:00 |
* 根據陽明交大上課時間表所列
概述
數位技科對我們社會生活與當代文化的衝擊方方面面又廣及全球,至今人文學界但卻仍未被充分探索,我們需要新的理論與方法來研究21世紀諸多新興的文化現象。本課程提供文化研究的取徑我們去了解原有認同、自我、社群、關係、隱私等概念如何在數位時代受到挑戰,我們更專注在新數位技術而生成的新文化現象與社會生活樣貌。除了介紹性地定義外,我們將從數位的社會生活著手,再探討它的文化生產與經濟模式有何差異,其間可能產生的權力關係及社會議題又會如何?最後也會探索幾個新興的數位文化形式。本課程將儘可能讓學生接觸不同的數位文化的研究議題,以期開拓學生的視野,更能深入地解析當代的數位文化與生活。
先修科目
This course opens only to Mandarin speaker
教學方式
口頭報告:修課或旁聽同學都須參與口頭報告,這學期共有32篇,將由修課或旁聽同學共同分攤,請自行認領想要引言報告的文章。
評分方式
評量方式:出席與討論:50%,期末作業,請以每週上課內容為主題(或另選主題),撰寫一篇文獻綜述(literature reviews)的論文(約八千到一萬字)50%。
週次計畫
| 週次 | 主題 |
|---|---|
| 第 1 週 | 課程介紹:What is digital culture ? Why digital Cultural studies. |
| 第 2 週 | Who needs the digital turn ? Hartley, J. (2012). ‘Cultural Studies, Creative Industries, and Cultural Science’, in Digital futures for cultural and media studies. John Wiley & Sons. pp.27-57. Kaul, V. (2012). Changing paradigms of media landscape in the digital age. Journal of Mass Communication and Journalism, 2(2), 1-9. Chatterjee, S. (2016). Digital Culture: a Paradigm Shift in Communication Perspective in Post-Globalized World. Journal of Content, Community & Communication. 44. |
| 第 3 週 | 中秋節放假 |
| 第 4 週 | 單元1:數位社會生活 Network Society Castells, M. (2000). Toward a sociology of the network society. Contemporary sociology, 29(5), 693-699. Castells, M. (2004). The Network Society : A Cross-cultural Perspective(pp. 3-45). Londres: Edward Elgar.(電子檔藏preview) |
| 第 5 週 | Virtual Community and digital Identities Wellman, B., & Gulia, M. (1999). Virtual communities as communities. Communities in cyberspace, pp.167-194. Papacharissi, Z. (2010). Conclusion: A Networked Self, in A networked self: Identity, community, and culture on social network sites. Routledge. pp.304-319, |
| 第 6 週 | 單元2:文化生產與經濟模式 Platform society and Platformization Van Dijck, J., Poell, T., & De Waal, M. (2018). The platform society: Public values in a connective world. Oxford University Press.pp.1-30. Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New media & society, 20(11), 4275-4292 |
| 第 7 週 | Digital cultural industrial production and consumption Bustamante, E. (2004). Cultural industries in the digital age: some provisional conclusions. Media, culture & society, 26(6), 803-820. Ruckenstein, M. (2017). Digital consumption. In Routledge Handbook on Consumption (pp. 466-476). Routledge. Hoffman, D. L., Novak, T. P., & Stein, R. (2013). The digital consumer. In The Routledge companion to digital consumption (pp. 28-38). Routledge. |
| 第 8 週 | Attention economy and affective economy Crogan, P., & Kinsley, S. (2012). Paying attention: Towards a critique of the attention economy. in Culture Machine, 2012, vol.13 special: Pay Attention.pp.1-29. https://culturemachine.net/wp-content/uploads/2019/01/463-1025-1-PB.pdf Ahmed, S. (2004). Affective economies. Social text, 22(2), 117-139. |
| 第 9 週 | 單元3:網絡社會與權力關係 Cyberpower and the digital inequality DiMaggio, P., Hargittai, E., Celeste, C., & Shafer, S. (2004). Digital inequality: From unequal access to differentiated use. Social inequality, 355-400. Van Dijk, J. A. (2006). Digital divide research, achievements and shortcomings. Poetics, 34(4-5), 221-235. |
| 第 10 週 | Digital labor : immaterial labor, “prosumption”, Leisure and work Scholz, T. (2012). Introduction: Why does digital labor matter now?. In Digital Labor (pp. 9-18). Routledge. Fuchs, C. (2015). Dallas Smythe and digital labor. in The Routledge companion to labor and media. Routledge. pp.51-62 Duffy, B. E. (2016). The romance of work: Gender and aspirational labour in the digital culture industries. International journal of cultural studies, 19(4), 441-457. |
| 第 11 週 | Gendering the digital Green, E., & Singleton, C. (2013). ‘Gendering the digital’: the impact of gender and technology perspectives on the sociological imagination. Digital sociology: Critical perspectives, 34-50. Duffy, B. E. (2016). The romance of work: Gender and aspirational labour in the digital culture industries. International journal of cultural studies, 19(4), 441-457. Burgess, J., Cassidy, E., Duguay, S., & Light, B. (2016). Making digital cultures of gender and sexuality with social media. Social Media+ Society, 2(4), 2056305116672487. |
| 第 12 週 | 單元4:新興文化形式 Digital fandom and fans studies Hills, M. (2002). Fan cultures. Psychology Press. pp.1-36(電子書藏) Pearson, R. (2010). Fandom in the digital era. Popular communication, 8(1), 84-95. |
| 第 13 週 | Online game studies and gamification Crawford, G., & Rutter, J. (2006). Digital games and cultural studies. Understanding digital games, 148-165. Shaw, A. (2010). What is video game culture? Cultural studies and game studies. Games and culture, 5(4), 403-424. Rey, P. J. (2014). Gamification and post-fordist capitalism. The gameful world: Approaches, issues, applications, 277-295. |
| 第 14 週 | Algorithmic cultures Roberge, J., & Seyfert, R. (2016). What are algorithmic cultures?. In Algorithmic cultures (pp. 13-37). Routledge. Schuilenburg, M., & Peeters, R. (2021). The algorithmic society. New York: Routledge.pp.1-34 |
| 第 15 週 | 期末綜合討論I |
| 第 16 週 | 期末綜合討論II |