音樂、科技與社會:1876年以前

This course offers an overview to Western art music from late Baroque to 1876, the year Wagner’s Ring was premiered. We will incorporate the music history of this period in the larger context of social and cultural developments, including the developments of aesthetics and technology. The goal of this course is twofold. Functioning as a remedial course, it offers graduate music students without sufficient knowledge in the history of Western art music a factual and conceptual grounding. Equally importantly, it approaches music as a cultural phenomenon, partaking and “bouncing back,” as an active force, to what was happening in social reforms, political upheavals, and innovations in technology and industry, including the inventions of music instruments, music devices, as well as well stagecraft, lighting, sound, and space. Two quizzes focusing on repertoire building and score-reading will take place in mid- and end of the term.

Attendance & participation: 30% Assignment(s): 20% Quizzes: 50%

Students must bring a copy of Burkholder, Grout, and Palisca’s A History of Western Music and the accompanying anthology of music scores to every class session; an older edition or a library copy is fine. Supplementary course materials will be either posted on the course website (E3) in PDF or available on public domain (e.g., IMSLP: Petrucci Music Library).

地點

HC511; online appointment possible

時間

Wednesday, 3.30-5 pm or by appointment

聯絡方式

blblume@nycu.edu.tw, ext. 58316