電腦音樂技巧：音訊處理與創作
Computer Music Technique: DSP and Composition
| 節 | 週三 |
|---|---|
3 10:10–11:00 | 電腦音樂技巧：音訊處理與創作 AD027 2 節連堂 |
4 11:10–12:00 |
* 根據陽明交大上課時間表所列
課程概述與目標:(非 軟體 教學課程,亦非 商用音樂編曲 製作 課程) 一、強調做中學_數位音樂創作(learning from doing /composing): (1)-1. 學習數位工作站DAW各式數位音樂技術(Digital Signal Processing;DSP)在聲音剪接、編輯、拼貼、混音的應用為主。 (1)-2. 修習非線性剪接(non-linear cutting and splicing)、聲音效果器(ex.filtering/reverb)、電腦聲音合成(computer FM,Granular synthesis)、聲音空間技巧(Spatialization of Sound))等技術。 (2). 嘗試使用多音軌(multitracker)軟件_Audition(或其他軟體)進行電腦音樂(computer music)或音景作品(環境田野錄音為素材進行創作)之組織、拼貼與創作, (3). 完成課堂指定習作、期中小品、期末作品。 二、電腦/數位音樂 文獻、作品、相關知識 電腦/數位音樂經典作品欣賞與分析(listening and analysis)、數位音樂相關技術、美學、歷史文獻(aesthetics and literature )之閱讀。 三、透過此一理論、美學與實務技巧兼重之課程設計,培養學生電腦音樂創作技巧,以及科技與音樂藝術跨域結合作為思想感情表達的省思。 四、Path to Goal: 從 Open Ears 至 Happy New Ears!!
1.具備a.非預設耳朵(Non-preset ears), b.開放胸襟(Open-minded) 2.愛好在DAW 軟體上進行聲音剪接、編輯、拼貼、以及實驗創作(experimental composing/creating) 3. 具備一定耐心追求聲音較高層次的藝術性(from sound art to sonic arts) 4. 喜好以聲音作品表達、想法、故事、或抽象性情感
音效下載 https://sound-effects.bbcrewind.co.uk/. BBC音效下載-->GOOD http://www.findsounds.com/types.html -->OK 圖書關電腦電子音樂期刊 Computer Music Journals -->difficult Organized Sound---->Great! 電腦電子數位音樂欣賞:----->THE BEST Website !! 作品聆賞 高度推薦!! http://cec.sonus.ca/cd/ http://www.cdbaby.com/cd/60x60 曾毓忠部落格 http://yc-tseng.blogspot.tw/ --->OK
1. Assignments (25%/times) 30 % 2. Mid-term(25),Final Project(35) 60 % 3. Attendency and Learning Attitude 10 %
| 週次 | 主題 |
|---|---|
| 第 1 週 | ntroduction --Course outline --Course Object --Course Projects Homework: Pre-class Preparation: AuditionMax/MSP(optional) Reading: Electroaoustic Music(2-page handout from Harvard Dictionary |
| 第 2 週 | Classification of Electro/computer music(I) --Electroaoustic Music,Muscique Concrete,Electronic Music,Computer Music,Tape Music,Live Electronics, Homework: Listening notes: (1 page ,visit YouTube) Schaeffer: etude aux chemins de fer (1948,rail road study), Pierre Henry: Vocalises(1951), Stockhausen: Studie II(1954), Varese: Electronic Poem(1958), Chowning: Turenas(1972), Reich:Come Out(1966),Francis Dhomont - Espace / Escape (1989) |
| 第 3 週 | Classification of Electro/computer music(II) -- Soundscape Composition,Algorithmic Composition, Radiophonics,Acousmatic music,Digital Music,Chip Music,Sonic Arts. Homework: Reading: Acoustics(overtones,frequency,amplitude,envelope,phase Cancellation,beating,masking,...) |
| 第 4 週 | Basic signal processing/transformation(I) -Tape Techniques: looping、Direction Change/reversal、Speed Change、Cutting and Splicing - Acoustics Quiz Homework: composition: tape technique practice: transformation of class given sample,5 transformations/1 sample |
| 第 5 週 | asic signal processing/transformation(I) con’t --discussion of homework on basic tape technique practice --discussion of homework on music analysis Homework: composition:continue sound transformation practice and create a very short piece(about 30 seconds) |
| 第 6 週 | Basic signal processing/transformation(II) --SpeedChange:rit,accel.MixPaste,Normalize,Envelope,Reverb,Quick reverb,Delay -discussion of homework on 30” composition Homework: composition:extend piece into 60”with more new techniques (mid-term project preparation) |
| 第 7 週 | Mid-term Project Concert(i)—discussion and preparation Listening : Projection(1962)-white noise by Joji Yuasa |
| 第 8 週 | Mid-term Project Concert(ii) ---Concert |
| 第 9 週 | asic signal processing/transformation(III) --Subtractive synthesis-1: --LP、HP、BP、BR(Notch)filterings Homework: composition:1.subtractive synthesis practice-transformation of noise, 2.create a short “Noise Etude”(about 30”) |
| 第 10 週 | Basic signal processing/transformation(III) con’t --LP、HP、BP、BR(Notch)filter Revisited --Comb filter, Dynamic EQ --discussion of homework on “Noise Etude” Homework: Listening notes(1 page):Ligeti-Artikulation download: Audiomulch 2.2.2 |
| 第 11 週 | Basic signal processing/transformation(IV) --Additive Synthesis --discussion on Ligeti: Artikulation Homework: composition:additive synthesis practice-synthesizing sine wave to create “Electronic Music”(about 20”) |
| 第 12 週 | asic signal processing/transformation(IV)) con’t --more DSP functions on Audiomulch --discussion of homework on “Electronic Music” Homework: Listening notes(1 page):Chowning-Turenas |
| 第 13 週 | asic signal processing/transformation(V) --Granular Synthesis --Micro Sound Homework: composition:granular Synthesis practice-create“Micro Sound Music”(about 30”) Listening notes(1 page)Truax: Pacific Fanfare(also Roads) |
| 第 14 週 | Basic signal processing/transformation(V)con’t --discussion on“Micro Sound Music” --Multitracking techniques:panning,envelope shaping, --cross-fading,mixing --discussion on Truax: Pacific Fanfare Homework: Composition: Final Project Proposal Listening notes(1 page) : 5 pieces from Electro Clips |
| 第 15 週 | Final Project Composition(i) --discussion on Final Project Proposal --discussion on Listening:5 pieces from Electro Clips --composition techniques:structure shaping,bottom up --composition esthetics:organized sound—E.Varese Collaging—J.Cage,Aural illusion—J-C Risset Homework: Composition: Final Project (90”) Listening notes(1 page):5 pieces from Electro Clips |
| 第 16 週 | Final Project Composition(ii) Final Project Concert |
指定文章閱讀: The Art of Noises by Luiggi Russolo The Future of Music:Credo by John Cage NB: 自備手提電腦,軟體 Audition, Max/MSP(optional), GOOD quality Headphone
- 地點
- 人社三館 5 F Room 507
- 時間
- 週三 3:30 pm-5:30pm 週四 10:00am-12:00pm
- 聯絡方式
- yctseng0329@gmail.com 03-5712121, Ext.58404