書寫在頁緣的藝術史:蘇格蘭啟蒙美學、繪畫與社會

Art History Written on the Margins: Scottish Enlightenment Aesthetics, Paintings, and Society

學期

112-2

學分

3 學分

當期課號

133304

永久課號

SHVC30037

開課單位

視覺文化研究所

授課教師

邱剛彥

校區

陽明

類別

選修

上課時間表

節	週二
5 13:20–14:10	書寫在頁緣的藝術史:蘇格蘭啟蒙美學、繪畫與社會 YX322 3 節連堂
6 14:20–15:10
7 15:30–16:20

* 根據陽明交大上課時間表所列

概述

本課程將討論的是一段在學術界較少直接關注的英國藝術史:十八世紀蘇格蘭繪畫。在絕大多數的藝術史論著中,這段關於蘇格蘭的藝術史往往被書寫在英國藝術史之內、之間或甚至之下,因而被孤立在較為邊緣的位置,不受到重視。然而,這門課希望能清楚呈現它的特殊性、價值以及對於後世的影響。由於十八世紀蘇格蘭繪畫的產生背景與蘇格蘭啟蒙思想有密切關聯,因此本課程教師會先引導學生瞭解蘇格蘭啟蒙的發生背景與思想特色,再討論其美學思想特色與具有代表性的思想家,如Francis Hutcheson (1694–1746) 與David Hume (1711-1776),並且還會藉由研析較為知名的十八世紀蘇格蘭畫家,如Allan Ramsay (1713-1784)、Jacob More (1740-1793)、Henry Raeburn (1756-1823)、David Wilkie (1785-1841)與Edwin Landseer (1802-1873),使同學對於十八世紀蘇格蘭藝術史的認識有一個完整的輪廓。 This course will discuss a period of British art history that has not received direct scholarly attention: eighteenth-century Scottish painting. In the vast majority of art history writing, this period of Scottish art history has often been written within, between, or even under the history of British art. It has therefore been isolated in a more marginal position and given less attention. However, this course seeks to clearly present its specificity, value and influence on future generations. As the background of eighteenth-century Scottish painting is closely related to the Scottish Enlightenment, the teacher will first guide students to understand the background and ideological characteristics of the Scottish Enlightenment and then discuss the characteristics of its aesthetic thought and representative thinkers, such as Francis Hutcheson (1694-1746) and David Hume (1711-1717). This course will also provide an overview of eighteenth-century Scottish art history by analyzing the better-known eighteenth-century Scottish painters, such as Allan Ramsay (1713-1784), Jacob More (1740-1793), Henry Raeburn (1756-1823), David Wilkie (1785-1841), and Edwin Landseer (1802-1873).

先修科目

無

教學方式

Lecture, Student Presentation and Discussion.

評分方式

 Weekly Oral Report: 20% The individual oral presentation to the class should be around 20-30 minutes. The student will be required to provide an outline to the lecturer, as well as a copy of the bibliography or reference to each student in the class at the time of the presentation.  Attendance and Participation: 20% Please ensure that you e-mail the course instructor with a written request for leave of absence at least one day in advance of that date.  Midterm Paper: 20% One midterm paper (4000-5000 words in Chinese or 2000-2500 words in English) to be submitted on the midterm week. The assignment will require both literary and historical critical research and reference to sources. All references (including bibliography and footnotes) should be either MLA (American) or MHRA (British) format. Single space, Times New Roman x12, A4 paper. Submission: hard copy is preferred. Plagiarism is strictly forbidden. (The midterm paper is aimed to be a part of the final term paper.)  Final Term Oral Presentation: 10% The individual oral presentation to the class should be around 20-30 minutes. The student will be required to provide an outline to the lecturer, as well as a copy of the bibliography or reference to each student in the class at the time of the presentation.  Final Term Paper: 30% One final term paper (at least 8000 words in Chinese or 4000 words in English) to be submitted on week 16. The assignment will require both literary and historical critical research and reference to sources. All references (including bibliography and footnotes) should be either MLA (American) or MHRA (British)

週次計畫

週次	主題
第 1 週	Course Intro
第 2 週	Scottish Enlightenment  Alexander Broadie, “Introduction” (pp. 1-9) in The Cambridge Companion to the Scottish Enlightenment edited by Alexander Broadie  Roger Emerson, “The contexts of the Scottish Enlightenment” (pp. 9-30) in The Cambridge Companion to the Scottish Enlightenment edited by Alexander Broadie
第 3 週	Enlightenment Aesthetics  Murdo Macdonald, “Art and Philosophy” (pp. 80-99) in Scottish Art  Alexander Broadie, “Art and aesthetic theory” (pp. 280-297) in The Cambridge Companion to the Scottish Enlightenment edited by Alexander Broadie  Jonathan Friday, “Introduction” (pp. v-xvii) Art and Enlightenment: Scottish Aesthetics in the 18th Century edited by Jonathan Friday
第 4 週	Francis Hutcheson (1694–1746)  “An Inquiry Concerning Beauty, Order, Harmony, Design” (pp. 2-28) in Art and Enlightenment: Scottish Aesthetics in the 18th Century edited by Jonathan Friday
第 5 週	David Hume (1711-1776)  David Hume, “Of Beauty and Deformity”, “Of Contiguity and Distance in Space and Time”, “Of the Standard of Taste”, “Of Tragedy” (pp. 38-80) in Art and Enlightenment: Scottish Aesthetics in the 18th Century edited by Jonathan Friday
第 6 週	Visual Culture of the Jacobite Cause  Viccy Coltman, “The Prince in Scotland” (‘Daubed with Plaid and Crammed with Treason’: The Visual and Material Culture of Embodied Insurrection) (pp. 139-177) in Art and Identity in Scotland A Cultural History from the Jacobite Rising of 1745 to Walter Scott  Marion Amblard, “English and Scottish Jacobite Painters in Eighteenth-Century Rome”() in Living with Jacobitism, 1690–1788: The Three Kingdoms and Beyond edited by Allan I. MacInnes, Kieran German, Lesley Graham
第 7 週	Allan Ramsay (1713-1784): King’s Painter 1/2  Mungo Campbell, “A Rational Taste for Resemblance: Redefining Ramsay’s Reputation” (pp. 9-49) in Allan Ramsay: Portraits of the Enlightenment edited by Mungo Campbell  Alastair Smart, “The Dialogue on Taste” (139-148) in Allan Ramsay: Painter, Essayist and Man of the Enlightenment  Bendor Grosvenor, The Lost Portrait of Bonnie Prince Charlie: A Culture Show Special (https://www.youtube.com/watch?v=ZhUwLReQrlc)
第 8 週	Allan Ramsay (1713-1784): King’s Painter 2/2  John Bonehill, “Ramsay’s “Classical Curiosity”” (pp. 91-109) in Allan Ramsay: Portraits of the Enlightenment edited by Mungo Campbell  Rica Jones, “Painting a Face All Red at the First Siting: Ramsay’s Technique for Portraits 1735-60” (pp. 111-115) in Allan Ramsay: Portraits of the Enlightenment edited by Mungo Campbell
第 9 週	Jacob More (1740-1793) and His Landscape Paintings  Irwin, David. “Jacob More, Neo-Classical Landscape Painter.” The Burlington Magazine, vol. 114, no. 836, 1972, pp. 775–79.  Andrew, Patricia R. “Jacob More’s ‘Falls of Clyde’ Paintings.” The Burlington Magazine, vol. 129, no. 1007, 1987, pp. 84–88.
第 10 週	Henry Raeburn (1756-1823): Skating on the Loch  Duncan Thomson, “Sir Henry Raeburn: An Introduction to his Art and Life” (pp. 11-18) in Raeburn: The Art of Sir Henry Raeburn 1756-1823 edited by Duncan Thomson  Nicholas Phillipson, “Manners, Morals and Characters” (pp. 29-38) in Raeburn: The Art of Sir Henry Raeburn 1756-1823 edited by Duncan Thomson  John Dick, “Raeburn’s Methods and Materials” (pp. 39-46) in Raeburn: The Art of Sir Henry Raeburn 1756-1823 edited by Duncan Thomson
第 11 週	Midterm Paper Submission Discussion with Course Instructor
第 12 週	Walter Scott (1771-1832) and Art  Gordon, Catherine. “The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation.” Journal of the Warburg and Courtauld Institutes, vol. 34, 1971, pp. 297–317.  Beth Wright, “‘Seeing with the Painter’s Eye’: Sir Walter Scott’s Challenge to Nineteenth-Century Art” (pp. 293-312) in The Reception of Sir Walter Scott in Europe edited by Murray Pittock
第 13 週	David Wilkie (1785-1841):  Arthur S Marks, “Testaments to a Friendship: David Wilkie’s Portraits of Walter Scott.” Studies in Romanticism, vol. 37, no. 3, 1998, pp. 351–93.  Lachlan Goudie, “King and Countries” (pp. 175-183) in The Story of Scottish Art
第 14 週	Edwin Landseer (1802-1873) and Animals  Owens, Susan. “‘Ecorché’ Drawings by Edwin Landseer.” The Burlington Magazine, vol. 154, no. 1310, 2012, pp. 337–44.  Norman, Mathew. “Drawings of Lions by Sir Edwin Landseer (1802–1873) and the Trafalgar Square Monument.” The British Art Journal, vol. 21, no. 2, 2020, pp. 38–45
第 15 週	Student Final Term Oral Report
第 16 週	Student Final Term Paper Submission & Course Conclusion

教科書

Andrew, Patricia R. “Jacob More’s ‘Falls of Clyde’ Paintings.” The Burlington Magazine, vol. 129, no. 1007, 1987, pp. 84–88. Broadie, Alexander. Ed. The Cambridge Companion to the Scottish Enlightenment (Cambridge: Cambridge University Press, 2003) Broadie, Alexander. Ed. The Scottish Enlightenment (Edinburgh: Berlin, 2007) Campbell, Mungo. Ed. Allan Ramsay: Portraits of the Enlightenment (Munich, London, New York: Prestel, 2013) Coltman, Viccy. Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott (Cambridge: Cambridge UP, 2019) Friday, Jonathan. Art and Enlightenment: Scottish Aesthetics in the 18th Century (Exeter: Imprint Academic, 2004) Gordon, Catherine. “The Illustration of Sir Walter Scott: Nineteenth-Century Enthusiasm and Adaptation.” Journal of the Warburg and Courtauld Institutes, vol. 34, 1971, pp. 297–317. Goudie, Lachlan. The Story of Scottish Art (London: Thames & Hudson, 2020) Irwin, David. “Jacob More, Neo-Classical Landscape Painter.” The Burlington Magazine, vol. 114, no. 836, 1972, pp. 775–79. Macdonald, Murdo. Scottish Art (London: Thames & Hudson, 2021) MacInnes, Allan I., Kieran German, Lesley Graham. Eds. Living with Jacobitism, 1690–1788: The Three Kingdoms and Beyond (London: Routledge, 2015) Marks, Arthur S. “Testaments to a Friendship: David Wilkie’s Portraits of Walter Scott.” Studies in Romanticism, vol. 37, no. 3, 1998, pp. 351–93. Norman, Mathew. “Drawings of Lions by Sir Edwin Landseer (1802–1873) and the Trafalgar Square Monument.” The British Art Journal, vol. 21, no. 2, 2020, pp. 38–45 Owens, Susan. “‘Ecorché’ Drawings by Edwin Landseer.” The Burlington Magazine, vol. 154, no. 1310, 2012, pp. 337–44. Pittock, Murray. The Reception of Sir Walter Scott in Europe. (London: Bloomsbury, 2007) Smart, Alastair. Allan Ramsay: Painter, Essayist and Man of the Enlightenment (New Haven and London: Yale UP, 1992) Thomson, Duncan. Ed. Raeburn: The Art of Sir Henry Raeburn 1756-1823 (Edinburgh: Scottish National Portrait Gallery, 1997)

Office Hours

地點: 知行樓前棟310室
時間: 每週二上午10:00-12:00
聯絡方式: kchiu@nycu.edu.tw