演奏探討
Seminar in Performance Practice
| 節 | 週二 |
|---|---|
7 15:30–16:20 | 演奏探討 HC501 2 節連堂 |
8 16:30–17:20 |
* 根據陽明交大上課時間表所列
The topics of this seminar include literature reading, music analysis, and performance practice. Through multiple methods the students will be able to research the performance of music styles from the 16th to 18th centuries and explore the art of Authentic Performance. 此課程內容包含文獻閱讀、樂譜解析以及演奏實踐,透過多元方式來研究16至18世紀音樂風格表現以及探討原樣演奏詮釋的意義。
Prerequisite: Introduction to Music Research / 音樂研究導論
第1-8週由周瓦絲里老師授課,第9-16週由蔡佳璇老師授課
周瓦絲里老師演奏實作,學期評量比重50% [7.5% for presence in class (up to 2 justified absences), 17.5% for participation in class / homework, 25% for examination (open book - multiple choice test on PPT and music performance)] 蔡佳璇老師學期評量比重50%:內含平時成績25%(含出席率及課堂參與度,如需請事、公假,請事先請假)、裝飾奏實作譜寫或巴洛克專題報告25% (專題報告內容任選17、18世紀作曲家或特定樂曲之音樂演奏詮釋或演奏文獻探討,1500字以上,紙本報告請於第16週繳交) 周瓦絲里老師演奏實作,學期評量比重50%
| 週次 | 主題 |
|---|---|
| 第 1 週 | 由周瓦絲里老師授課,important aspects of baroque music study and performance - PPT part 1 |
| 第 2 週 | 由周瓦絲里老師授課,important aspects of baroque music study and performance - PPT part 2 |
| 第 3 週 | 由周瓦絲里老師授課,concerning the Basso continuo notation and practice, most common cadences |
| 第 4 週 | 由周瓦絲里老師授課,chamber music practice on selected pieces of 17th - 18th C. Using the manuscript or existing editions and discussion. Study of the piece’s instrumentation, character, tempo |
| 第 5 週 | 由周瓦絲里老師授課,chamber music practice on selected pieces: phrases and sound, appropriate bowing, articulation, ornaments... |
| 第 6 週 | 由周瓦絲里老師授課,chamber music practice |
| 第 7 週 | 由周瓦絲里老師授課,writing test and chamber music practice |
| 第 8 週 | 由周瓦絲里老師授課,music evaluation exam |
| 第 9 週 | 由蔡佳璇老師授課,探討何謂原樣演奏以及古樂詮釋 |
| 第 10 週 | 由蔡佳璇老師授課,文獻探討-古今樂譜影音比較 |
| 第 11 週 | 由蔡佳璇老師授課,16-18世紀數字低音判讀與裝飾奏運用原則 |
| 第 12 週 | 由蔡佳璇老師授課,裝飾奏基本原則與實作 |
| 第 13 週 | 由蔡佳璇老師授課,18世紀義式音樂風格探討 |
| 第 14 週 | 由蔡佳璇老師授課,18世紀法式音樂風格探討 |
| 第 15 週 | 由蔡佳璇老師授課,18世紀德式音樂風格探討 |
| 第 16 週 | 由蔡佳璇老師授課,期末報告與綜合討論 |
教師自訂
- 聯絡方式
- vass.tso@gmail.com chiahsuan@gmail.com