西方視覺文化中的階級、消費與認同

Classes, Consumption and Identity in Western Visual Culture

學期

113-1

學分

3 學分

當期課號

133302

永久課號

SHVC30021

開課單位

視覺文化研究所

授課教師

黃桂瑩

校區

陽明

類別

選修

上課時間表

節	週一
5 13:20–14:10	西方視覺文化中的階級、消費與認同 YX322 3 節連堂
6 14:20–15:10
7 15:30–16:20

* 根據陽明交大上課時間表所列

概述

近年來大眾史逐漸成為學院內外的探論焦點。在其中,視覺文化不僅扮演後人用以「圖像證史」的證據,更以其傳播與再現形式積極介入歷史當下,再現、打造不同階級文化。本課程將以1600-1900年為主要範疇,梳理在此時期劇烈的智識啟蒙、經濟變遷與政治革命之下的西方視覺文化。在題旨上,特別專注鄉民(peasant)、城市勞動者以及中產階級等中下階層,考察他們如何被形塑為特定族群,或是主動地透過不同視覺或物質形式,打造日益鮮明的階級認同。所探討的議題將包括風俗畫的發展、城景/風景中的階級政治,以及工作倫理、勞動者形象、市民意識等。藉此課程,同學將可對此時期西方社會文化史有深入認識,並能以視覺社會史的取徑,掌握分析、詮釋視覺材料的方法。本課程閱讀資料以英文學術著作為主,輔以中文著作。每週均有指定閱讀範圍,同學需於課前閱讀完畢,於課堂積極參與討論,以訓練表達與詮釋技巧。此外,同學將藉由撰寫期中與期末報告,培養獨立學術研究的能力。

評分方式

(1). 課堂口頭報告:20% (2). 課堂參與討論:20% (3). 期中口頭及書面報告(3000字以上,含註釋及參考書目):30% (4). 期末口頭及書面報告(7000字以上,含註釋及參考書目):30% *本課程書面報告為一萬字文章一篇,需在本課程所論及的年代議題中選定主題。期中口頭及書面報告可為大綱說明,期末報告則需呈現完整之分析內容。【報告繳交期限】 114年 1月 30日(暫定) 午夜12:00之前上傳至E3平台,遲交分數將乘以0.9計算

週次計畫

週次	主題
第 1 週	導言及課程介紹 Arthur J. DiFuria, “Genre: Audience, Origins, and Definitions,” in Genre Imagery in Early Modern Northern Europe: New Perspectives, ed., Arthur J. DiFuria (London and New York: Routledge, 2016), pp. 1- 25. (16, 另附上目錄)
第 2 週	風俗畫,鄉民與地景 I 1. Wayne Franits, “ Domesticity, Privacy, Civility, and the Transformation of Adriaen van Ostade's Art,” in Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant, ed. Patricia Phagan (Georgia Museum of Art, University of Georgia, 1996), pp. 3-25. (9) 2. Sheila McTighe, “Foods and the Body in Italian Genre Paintings, about 1580: Campi, Passarotti, Carracci,” The Art Bulletin, Vol. 86, No. 2 (Jun., 2004), pp. 301-323 (23)
第 3 週	大眾文化:以嘉年華為例 1. Lisa Rosenthal, “Fairtime Folly and the Taming of Transgression: Adriaen van Ostade's Print of Peasant Festivity,” in Images of Women in Seventeenth-Century Dutch Art: Domesticity and the Representation of the Peasant, ed. Patricia Phagan (Georgia Museum of Art, University of Georgia, 1996), pp. 27-39. (7) 2. Alison G. Stewart, Before Bruegel: Sebald Beham and the Origins of Peasant Festival Imagery (Aldershot: Ashgate, 2008), pp. 28-58第一段結束。參考閱讀: 芭芭拉.艾倫瑞克,《嘉年華的誕生:慶典、舞會、演唱會、運動會如何翻轉全世界》,(台北:左岸出版,2015年),第四、五章。
第 4 週	風俗畫,鄉民與地景 II Larry Silver, Peasant Scenes and Landscapes: the Rise of Pictorial Genres in the Antwerp Art Market (Philadelphia: University of Pennsylvania Press, 2006), Ch.1. “Introduction: ‘Cultural Selection’ and the Origins of Pictorial Species,” pp. 1-15; and Ch.2. “Antwerp as Culture System,” pp. 16-25. (23) *課堂活動:請同學收集2-3張與台灣農村人物為主題的圖像或影像段落,並分析其中的視覺元素與意涵。
第 5 週	風俗畫,鄉民與地景 III 1. David H. Solkin, Painting out of the Ordinary: Modernity and the Art of Everyday Life in Early Nineteenth-Century Britain (New Haven and London: Yale University Press, 2008), Ch. 1, “ Village Politics,” pp. 7- 35. (20). 2. 黃桂瑩,〈鄉野道德與性別勞動——十八世紀英國牛奶女工的視覺再現〉,《浩蕩英華:長十八世紀的英國文藝與歷史》,(台北:時報,2023),頁 150-212。
第 6 週	市民文化,中產意識,禮儀社會 I 1. Sheila D. Muller, “For the Pleasure and Contentment of the Audience: Gerrit van Honthorst’s The Merry Fiddler: Promoting Civil Behavior in Early Seventeenth-Century Utrecht,” in Genre Imagery in Early Modern Northern Europe: New Perspectives, ed., Arthur J. DiFuria (London and New York: Routledge, 2016), pp. 97-129. (23) 2. Diana Wolfthal, Household Servants and Slaves (New Haven and London: Yale University Press, 2022), Ch. 2, “Servants without Masters,”, pp. 65-111.
第 7 週	市民文化,中產意識,禮儀社會 II 1. Amy Freund, “ The Revolution at Home: Masculinity, Domesticity and Political Identity in Family Portraiture, 1789-1795,” in Interior Portraiture and Masculine Identity in France, 1789-1914, eds., Temma Balducci, Heather Belnap Jensen and Pamela J. Warner (Farnham: Ashgare, 2011), pp. 15-25. (9) 2. Susan L. Siegfried, “Femininity and the Hybridity of Genre Painting,” Studies in the History of Art, Vol. 72, Symposium Papers XLIX: French Genre Painting in the Eighteenth Century (2007), pp. 14-37 (17)
第 8 週	期中口頭報告
第 9 週	勞動者,身體與城市空間 I 1. Sean Shesgreen, Images of the Outcast: The Urban Poor in the Cries of London (New Jersey, Rutgers University Press, 2002), pp. 45-89.(17) 2. Nancy Rose Marchall, City of Gold and Mud: Painting Victorian London (New Haven and London: Yale University Press, 2012), Ch. 5, “ ‘As Black and Sweep-Like as I Could Desire’: Dirt, Blackness, and the Representation of Street Types,” pp. 117-143. (17)
第 10 週	勞動者,身體與城市空間II Tim Barringer, Man at Work: Art and Labour in Victorian Britain (New Haven and London: Yale University Press, 2005), “Art, Religion, and Labour,” pp. 21-56. (24) *課堂活動:請同學收集2-3張呈現台灣城市中勞工階級的圖像,並分析其中的視覺元素與意涵。
第 11 週	視覺文化中的工作倫理:勞動/休閒,勤奮/懶散 1. 黃桂瑩,〈從勤奮到自立:霍加斯版畫中的勞動者形象與工作倫理觀〉,《新史學》, 29卷3期 (2018年9月),頁111-178。 2. Clare White, Work and Leisure in Late Nineteenth-Century French Literature and Visual Culture: Time, Politics and Class. (London: Palgrave Macmillan, 2014), Ch.3, “Beyond the Leisure Principle: Lice and Neo-Impressionism,” pp. 117-155. (19)
第 12 週	消費社會與階級認同 1. Andrea Volpe, “Cartes de Visite Portrait Photographs and the Culture of Class Formation” in Looking for America: The Visual Production of Nation and People, ed., Ardis Cameron (Oxford: Blackwell Publishing, 2005), pp. 42-57. (15) 2. Linzy Brekke-Aloise. “‘A Very Pretty Business’: Fashion and Consumer Culture in Antebellum American Prints.” Winterthur Portfolio, vol. 48, no. 2/3, (2014), pp. 191–212.(21) 參考閱讀: Thorstein Veblen, 李華夏譯,《有閒階級論》,(台北,左岸文化,2007),1-4及14章。
第 13 週	寫實主義中的階級政治 1. Jeannene M. Przyblyski, “ Courbet, the Commune, and the Meanings of Still Life in 1871,” Art Journal, Vol. 55, No.2, Recent Approaches to 19th-Century Visual Culture (Summer, 1996), pp. 28-37. (8) 2. Bradley Fratello, “France Embraces Millet: The Intertwined Fates of ‘The Gleaners’ and ‘The Angelus’,” The Art Bulletin, Vol. 85, No. 4 (Dec., 2003), pp. 685-701. (14)
第 14 週	20世紀攝影與視覺文化中的階級形象I 1. Sarah E. James, “A Socialist Realist Sander? Comparative Portraiture as a Marxist Model in the German Democratic Republic.” Grey Room, no. 47, (2012), pp. 38–59. (21) 2. James A. van Dyke, “Franz Radziwill's Vision of Joyful German Work: Painting, Social Identity, and Politics in the Weimar Republic,” Oxford Art Journal, Vol. 28, No.3(2005), pp. 295-319.(25)
第 15 週	20世紀攝影與視覺文化中的階級形象II 1. Erika L. Paulson and Thomas C. O’Guinn. “Working-Class Cast: Images of the Working Class in Advertising, 1950-2010.” The Annals of the American Academy of Political and Social Science, vol. 644, (2012), pp. 50–69. (19) 2. 許朝善,「以洪瑞麟《教堂》探究洪瑞麟藝術中的宗教性」,《議藝份子》 39期 (2022/10),頁 107-128。
第 16 週	期末口頭報告