國王的新衣:英國皇室肖像畫十六世紀起迄今的流變

本課程將通過分析知名且具代表性的英國歷代君主與重臣的肖像畫,探討英國自十六世紀以來肖像畫的發展脈絡與演變。透過這些畫作,我們將深入了解畫家如何以畫筆呈現統治者的虛飾形象及其作為權力象徵的意涵。本課程的主要關注對象包括亨利八世、伊麗莎白一世、安妮女王、查理王子、喬治三世與維多利亞女王等六位君主。此外,授課教師還將帶領學生認識與英國皇室肖像畫收藏相關的機構及其所在地,如皇家格林威治博物館、皇家收藏信託基金與國家肖像博物館等。 This course will examine the development and evolution of British portraiture from the sixteenth century onwards by analysing well-known and representative portraits of British monarchs and statesmen. Through these artworks, we will explore how artists used their brushes to portray the rulers’ elaborate façades and the symbolic significance of these images as expressions of power. The course will primarily focus on six monarchs: Henry VIII, Elizabeth I, Queen Anne, Prince Charlie, George III, and Queen Victoria. Additionally, students will be introduced to the institutions and locations associated with the collection of British royal portraits, such as the Royal Museums Greenwich, the Royal Collection Trust, and the National Portrait Gallery.

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課堂講授,學生報告與討論。 Lecture, Student Presentation and Discussion.

Weekly Oral Report: 20% The individual oral presentation to the class should be around 20-30 minutes. The student will be required to provide an outline to the lecturer, as well as a copy of the bibliography or reference to each student in the class at the time of the presentation. Attendance and Participation: 20% Please ensure that you e-mail the course instructor with a written request for leave of absence at least one day in advance of that date. Midterm Paper: 20% One midterm paper (4000-5000 words in Chinese or 2000-2500 words in English) to be submitted on the midterm week. The assignment will require both literary and historical critical research and reference to sources. All references (including bibliography and footnotes) should be either MLA (American) or MHRA (British) format. Single space, Times New Roman x12, A4 paper. Submission: hard copy is preferred. Plagiarism is strictly forbidden. (The midterm paper is aimed to be a part of the final term paper.) Final Term Oral Presentation: 10% The individual oral presentation to the class should be around 20-30 minutes. The student will be required to provide an outline to the lecturer, as well as a copy of the bibliography or reference to each student in the class at the time of the presentation. Final Term Paper: 30% One final term paper (at least 8000 words in Chinese or 4000 words in English) to be submitted on week 16. The assignment will require both literary and historical critical research and reference to sources. All references (including bibliography and footnotes) should be either MLA (American) or MHRA (British) format. Single space, Times New Roman x12, A4 paper. Submission: hard copy is preferred. Plagiarism is strictly forbidden.

• House of Stuart (1603-1649): Tumultuous and Restorative
• House of Hanover (1714-1901): Stable, Constitutional and Imperial
• House of Windsor (1917~): Modern and Resilient
• House of Tudor (1485-1603): Dynastic and Transformative

Amblard, Marion. “English and Scottish Jacobite Painters in Eighteenth-Century Rome.” Living with Jacobitism, 1690–1788, edited by Allan I. MacInnes, et al., London: Pickering & Chatto, 2014, pp. 139-152. Arnold, Janet. “The ‘Coronation’ Portrait of Queen Elizabeth I.” The Burlington Magazine, vol. 120, no. 908, 1978, pp. 726-39+41. Coltman, Viccy. Art and Identity in Scotland: A Cultural History from the Jacobite Rising of 1745 to Walter Scott. Cambridge: Cambridge UP, 2019. Cooper, Tarnya, editor. National Portrait Gallery: A Portrait of Britain. National Portrait Gallery, 2014. Corns, Thomas N., editor. The Royal Image: Representations of Charles I. Cambridge: Cambridge UP, 1999. Corp, Edward. The King Over the Water: Portraits of the Stuarts in Exile after 1689. Edinburgh: England. New Haven and London: Yale UP, 1993. Ganz, Paul. “Henry VIII and His Court Painter, Hans Holbein.” The Burlington Magazine for Connoisseurs, vol. 63, no. 367, 1933, pp. 144+46+48-51+54-55. Hayward, Maria. Dress at the Court of King Henry VIII. Routledge, 2017. Homans, Margaret and Adrienne Munich, editor. Remaking Queen Victoria. Cambridge UP, 1997. Howey, Catherine L. “Dressing a Virgin Queen: Court Women, Dress, and Fashioning the Image of England’s Queen Elizabeth I.” Early Modern Women, vol. 4, 2009, pp. 201-08. Ingamells, John. Later Stuart Portraits 1685-1714. London: National Portrait Gallery, 2009. King, John N. “Queen Elizabeth I: Representations of the Virgin Queen.” Renaissance Quarterly, vol. 43, no. 1, 1990, pp. 30-74. Lyden, Anne M. A Royal Passion: Queen Victoria and Photography. The J. Paul Getty Museum, 2014. MacGibbon, Rab and Tanya Bentley, editors. Icons and Identities. London: National Portrait Gallery, 2021. Monod, Paul Kleber. “Look, Love and Follow: images of the last Stuarts in Jacobite art” in Jacobitism and the English People, 1688-1788. Cambridge: Cambridge UP, 1989, pp. 70-94. Moyle, Franny. The King’s Painter: The Life of Hans Holbein. Abrams, 2021. Nadel, Ira B. “Portraits of the Queen.” Victorian Poetry, vol. 25, no. 3/4, 1987, pp. 169-91. Nicholson, Robin. Bonnie Prince Charlie and the Making of a Myth: A Study in Portraiture, 1720-1892. Lewisburg: Bucknell UP, 2002. Paulett, Robert. “‘This Mighty Fabric’: Allan Ramsay, British Union, and the Body of the King.” Journal for Eighteenth-Century Studies, vol. 45, no. 2, 2022, pp. 239-57. Petrina, Alessandra and Laura Tosi, editor. Representations of Elizabeth I in Early Modern Culture. Palgrave Macmillan, 2011. Retford, Kate. “Johan Zoffany and the King’s New Clothes.” History Today, vol. 62, no. 3, 2012, pp. 10-17. Riehl, Anna. The Face of Queenship: Early Modern Representations of Elizabeth I. Palgrave Macmillan, 2010. Roberts, Diane. "Two The Body of the Princess". Postcolonial Whiteness: A Critical Reader on Race and Empire, edited by Alfred J. LÓpez, SUNY Press, 2012, pp. 31-52. https://doi.org/10.1515/9780791483725-003 Scholz, Susanne. “Who’s Queen? Elizabeth I in Contemporary Culture.” Realms of Royalty: New Directions in Researching Contemporary European Monarchies, edited by Christina and Imke Polland Jordan, Transcript Publishing, 2020, pp. 107-27. Sharpe, Kevin. “Re-Depicting Female Rule: The Image of the Queen.” Rebranding Rule: The Restoration and Revolution Monarchy, 1660-1714, Yale University Press, 2013, pp. 578-615. Shawe-Taylor, Desmond. The Georgians: Eighteen-Century Portraiture & Society. London: Barrie & Jenkins, 1990. Smith, Nicola. The Royal Image and the English People. Oxon: Ashgate, 2001. Taylor, David A. H. B. “A Rediscovered Portrait of Queen Anne, When a Child, by Sir Peter Lely.” The Burlington Magazine, vol. 145, no. 1204, 2003, pp. 501-04. Tite, Catherine. Portraiture, Dynasty and Power: Art Patronage in Hanoverian Britain, 1714- 1759. Cambria, 2010. Wendorf, Richard. The Elements of Life: Biography and Portrait-Painting in Stuart and Georgian England. Oxford: Oxford UP, 1990. Woodacre, Elena, Lucinda H.S. Dean, Chris Jones, Zita Rohr, Russell Martin, editors. The Routledge History of Monarchy. London: Routledge, 2019. 與課程相關網頁: https://www.artist-magazine.com/edcontent_d.php?lang=tw&tb=8&cid=1785&id=20857 https://www.rmg.co.uk/stories/topics/royal-portraits-royal-museums-greenwichs-collection https://www.rct.uk/collection/stories/royal-portraiture

地點

知行樓前棟310室

聯絡方式

kchiu@nycu.edu.tw