電影與媒體理論
Film and Media Theory
| 節 | 週四 |
|---|---|
5 13:20–14:10 | 電影與媒體理論 HB106A 3 節連堂 |
6 14:20–15:10 | |
7 15:30–16:20 |
* 根據陽明交大上課時間表所列
This course introduces students to theories of film and related technological media—including film, television, video, digital, and emergent media—from two intersecting perspectives: 1) film and moving image history, and 2) media archaeology. We will read essential theoretical texts and discuss selected films and media works to ensure that students without prior training in film and media studies can fully grasp the significance of these theories. 本課程向同學引介電影與相關科技性媒體,包括電影、電視、錄像與數位媒體理論。課程會從兩個重要思考路徑討論這些理論:1)電影與動態影像史 2)媒體考古學。 修課學生不僅會閱讀理論文獻,也會在課堂上與教師學習如何由專業電影與影像媒體學者的角度真正看懂動態影像文本並共同思辨。如此,修課學生可更加了解電影與媒體理論學者提出理論當時的歷史與社會條件,從而學習以當下出發,思辨環繞著我們的當代影像與媒體環境。 **Updated in August 2025: Professor Jean Ma, the author of At the Edges of Sleep: Moving Images and Somnolent Spectators (University of California Press, 2022), will give a lecture in our class on November 13th.
1. This course is primarily taught in English, yet students can participate in our discussions and write their term-papers in English or Mandarin Chinese. 授課教師以英語授課,必要時提供中文翻譯;修課學生可選擇以英語或中文參與討論。 2. As usual, we will have a virtual class space on Discord. It is our actual and intellectual engagement with our contemporary media environment as film and media scholars and artists. For this class, we will be on Discord. 如同以往,我們會使用當代媒體平台作為我們的課程虛擬空間;這是我們作為電影與媒體研究者在當代媒體環境裡的知識實踐。本學期使用Discord.
Students who take this course may 1) write a term paper, 2) produce a documentary, an experimental film/video, or an essay film; or design a computer game, or produce a work of art in any form, provided that they speak to me first and obtain my permission; or 3) curate an art/media/film exhibition or festival as the final project for the class. 期末作業可以1)選擇撰寫期末論文。期末論文可以分析電影與媒體文本,也可是純粹的理論分析論文;2)有創作背景的同學可以以電影或錄像作品、論文電影、實驗錄像作品、電腦遊戲設計、影像策展或其他形式作品等方式呈現;請先與授課教師討論並取得同意。
| 週次 | 主題 |
|---|---|
| 第 1 週 | Introduction |
| 第 2 週 | The Cinema of Attractions; Rethinking Moving-Image History; Media Archaeology I |
| 第 3 週 | Classical Film Theory |
| 第 4 週 | Cinema and Technological Media: Walter Benjamin |
| 第 5 週 | The Classical Hollywood Cinema |
| 第 6 週 | Cinema as Vernacular Modernism; Cinema, Modernity, and Popular Culture |
| 第 7 週 | Feminist Film Theory I; Psychoanalytic Film Theory; the Apparatus Theory |
| 第 8 週 | Feminist Film Theory II; Queer/Trans Film Theory |
| 第 9 週 | Feminist Film Theory III; Cinema and Affect |
| 第 10 週 | Television, Old and New; Queer/Trans TV and Video |
| 第 11 週 | Public Lecture: Professor Jean Ma, the Mr. and Mrs. Hung Hing-Ying Professor in the Arts, the University of Hong Kong Title of the talk: "Narcotic Spectatorship." (Another lecture in Taipei on Nov. 11: "What Comes After Disappearance?") |
| 第 12 週 | Analog Video; Media Archaeology II |
| 第 13 週 | Digital Media, Digitality, Virtuality; Critical Game Studies |
| 第 14 週 | Network and Streaming Media; |
| 第 15 週 | Student Presentations I |
| 第 16 週 | Student Presentations II |
- 地點
- F106B
- 時間
- Thursday late afternoons & Wednesday afternoons, or by appointment.
- 聯絡方式
- hwajentsai@nycu.edu.tw