影像媒介文化

Visual Media and Cultures

學期

115-1

學分

3 學分

當期課號

133300

永久課號

SHVC30009

開課單位

視覺文化研究所

授課教師

王潔瑩

校區

陽明

類別

必修

上課時間表

節	週二
3 10:10–11:00	影像媒介文化 YX322 3 節連堂
4 11:10–12:00
N 12:20–13:10

* 根據陽明交大上課時間表所列

概述

本課程為視覺文化研究所學生的必修課程。課程涵蓋不同類型的影像媒介和影像文化的不同層面，並提供思考影像媒介文化的歴史架構與理論根基。除了對於影像媒介本身的閱讀，本課程也重視影像是如何在宏觀的政治、社會與歷史脈絡中被生產、傳播、消費、詮釋再現和再利用。課程目標是讓學生用批判性和多面向的思維去檢視影像是如何在不同類型的媒介中運作 - 從冷熱媒體對文化的影響，攝影電影錄像等動靜態影像媒介的技術發展與社會文化意義，當代影像媒介文化與社會議題等。課堂上，除了影像媒介文化的重要概念介紹和經典文章研讀外，還包含國內外的個案研究分析，觀影討論，以及必要的課外教學內容。學生在修畢本課後可以獲得未來研究所需的理論資源以及開始發展有潛力的研究主題。 This course aims to provide the necessary theoretical, historical and critical knowledge for understanding image media and culture. Included in this course are different types of visual mediums and their different aspects situated in the macro historical, socio-cultural and techno-cultural context. Students will critically explore how different visual media (e.g. photography, film, video) is produced, disseminated, consumed, interpreted, represented and (re)adapted. Aspects discussed include but not limited to: the influences of hot and cold media on culture, the social uses of different media, the impact of visual media technology on human and society, visual media and current social issues. Apart from reading canonic literature, this course will include case study, moving image viewing and discussion, and necessary field-trip.

教學方式

本課程閱讀資料以英文學術著作為主。同學須於上課前把指定文本（required reading）讀畢。在課堂上，同學須細讀導師選定的片段選評，並積極參與討論和報告。同學不需要額外購買教科書/閱讀材料。大部分的閱讀材料能通過圖書館或其他學術資料庫獲得，或再由導師提供。 Required reading materials of this course are in English. Students are required to finish all the required reading before every class. In the class, student discussants will lead the discussion and active participation from other students are expected. There is no need to purchase textbook. Most reading materials could be obtained through the university library system or other academic sources, while some will be provided by the instructor before the class.

評分方式

課堂出席及課堂參與：40%（包含課堂導讀和參與討論）期中口頭及書面報告：20% - 書面報告中文 3,000 字以上（或英文 1,500 字以上），此字數要求均未含註釋和參考書目。此期中報告為期末報告的雛形，需有明確的問題意識/研究主題，研究方法，對於整體報告的構想，以及至少十個參考文獻。期中口頭報告 10-15 分鐘。期末口頭及書面報告：40% - 書面報告 10,000 字以上（或英文 5,000 字以上），此字數要求均未含註釋及參考書目。期末口頭報告 15 -20 分鐘。 In-class performance: 40% Mid-term report and presentation: 20% Final paper and presentation: 40%

週次計畫

週次	主題
第 1 週	課程介紹與導論 Required reading: • Sturken, Marita, and Lisa Cartwright. 2017. Practices of Looking: An Introduction to Visual Culture. 3rd ed. Oxford University Press. • 史特肯（Marita Sturken）、卡萊特（Lisa Cartwright）著。2013。《觀看的實踐：給所有影像世代的視覺文化導論（全新彩色版）》。陳品秀、吳莉君譯。臉譜。這本著作，是同學考試進入視覺文化研究所的必讀讀本。在必修課的第一堂課上，請每位同學選取該書的一個章節，進行概要導讀，並提出一個相關的例子進行深入分析。
第 2 週	視覺文化概論 I Required reading: ● Mirzoeff, Nicholas. 1999. An Introduction to Visual Culture. Routledge. Read: “Introduction: What is Visual Culture,” 1–25; “Diana's Death,” 231–252. ● Mirzoeff, Nicholas. 2023. An Introduction to Visual Culture. 3rd ed. Routledge. Read: “Introduction,” 1–20.
第 3 週	視覺文化概論 II Required reading: ● Mirzoeff, Nicholas. 2023. An Introduction to Visual Culture, 3rd ed. Routledge. Read: “Visualization I,” “Acknowledgement and Groundwork,” and “Indigenous Ways of Seeing,” 31–68; “Visualization II” and “Visualization III,” 128–145.
第 4 週	視覺文化概論 III Required reading: ● Mirzoeff, Nicholas. 2023. An Introduction to Visual Culture, 3rd ed. Routledge. Read: “Restitution” and “Repair and Reparations,” 167–208; “Plague and War,” 260–276 (plague section only).
第 5 週	視覺現代性 I Required readings: ● 彭麗君（Pang Laikwan）著。2019。《哈哈鏡：中國視覺現代性》。張春田譯。手民。閱讀：〈緒論〉，1–44；〈攝影、表演與女性形象的構成〉，95–138；〈廣告與女性的視覺呈現〉，139–176。
第 6 週	視覺現代性 II Required readings: ● Cartwright, Lisa. 1995. Screening the Body: Tracing Medicine’s Visual Culture. University of Minnesota Press. Read: “Introduction” and “Science and the Cinema,” xi–16; “Decomposing the Body: X Rays and the Cinema,” 107–142.
第 7 週	視覺現代性 III Required readings: ● Yeh, Emilie Yueh-yu, ed. 2018. Early Film Culture in Hong Kong, Taiwan, and Republican China: Kaleidoscopic Histories. University of Michigan Press. Read: “Magic Lantern Shows and Screen Modernity in Colonial Taiwan,” 51–70. ● Yeh, Emilie Yueh-yu. 2025. The Colonial Screen: Early Cinema in Hong Kong. Oxford University Press. Read: “Colonial Screen and Early Cinema in Hong Kong: An Introduction,” 1–18.
第 8 週	期中報告
第 9 週	媒介理論 Required readings: ● McLuhan, Marshall. 1994. Understanding Media: The Extensions of Man. Reprint. MIT Press. Originally published 1964. Read: “Introduction,” 3–6; “The Medium Is the Message,” 7–23; “Media Hot and Cold,” 22–32. ● 唐士哲。2014。〈重構媒介？「中介」與「媒介化」概念爬梳〉。《新聞學研究》第121期：1–39。課堂活動：每位同學在 Understanding Media 後續的章節各選取一種「媒介」進行延伸閱讀，並在課堂上分享。
第 10 週	媒介物質性 Required readings: • Mattern, Shannon. 2015. “Deep Time of Media Infrastructure.” In Signal Traffic: Critical Studies of Media Infrastructures, edited by Lisa Parks and Nicole Starosielski, 94–112. University of Illinois Press. • 唐士哲。2020。〈海底雲端: 網際網路的基礎設施探問〉。《新聞學研究》第145期：1–48。
第 11 週	複製的藝術 Required readings: ● Benjamin, Walter. 1969. “The Work of Art in the Age of Mechanical Reproduction.” In Illuminations: Essays and Reflections, edited by Hannah Arendt, translated by Harry Zohn, 217–251. Schocken Books. ● Rabinovich, Misha, and Caitlin Foley. 2025. “The Work of Art in the Age of AI Reproducibility.” AI & Society 40: 1565–1567. ● Kalpokas, Ignas. 2023. “Work of Art in the Age of Its AI Reproduction.” Philosophy & Social Criticism 51 (8): 1268–1286.
第 12 週	攝影之眼 Required readings: ● Mirzoeff, Nicholas. 1999. An Introduction to Visual Culture. Routledge. Read: “The Age of Photography (1839-1982),” 65–90. • Krauss, Rosalind E. 1986. The Originality of the Avant-Garde and Other Modernist Myths. MIT Press. Read: “Photography’s Discursive Spaces,” 131–150.
第 13 週	Guest Lecture
第 14 週	電光影裡 Required readings: ● Yeh, Yeh-yu. 2000. “Politics and Poetics of Hou Hsiao-hsien's Films.” Post Script 20 (2-3): 61–76. ● 葉月瑜（Emilie Yeh Yueh-Yu）、戴樂為（Darrell William Davis）著。2016。《台灣電影百年漂流：楊德昌、侯孝賢、李安、蔡明亮》。曾芷筠、陳雅馨譯。書林。閱讀：〈儒化好萊塢：李安的電影〉，211–257。
第 15 週	影像與展演 Required readings: ● Kuiper, John. 1985. “Film as a Museum Object.” Cinema Journal 24 (4): 39–42. ● Wasson, Haidee. 2005. Museum Movies: The Museum of Modern Art and the Birth of Art Cinema. University of California Press. Read: “Making Cinema a Modern Art,” 1–31. ● Meigh-Andrews, Chris. 2014. A History of Video Art, 2nd ed. Bloomsbury. Read: “In the Beginning,” 6–19; “Technology, Access and Context,” 77–88.
第 16 週	期末報告

教科書

見每週安排 (see weekly schedule for reading requirement)

Office Hours

地點: By appointment
時間: By appointment
聯絡方式: klavierwang@nycu.edu.tw